Tag: CAN office

Four to the Floor

Dream Lover: Monday morning back to the office blog; in which I had a productive weekend; finished a short story; figuring out what I need to do; thinking about being a Louisiana tourist; and back to the gym.

https://gregwritesblog.com/2024/02/26/dream-lover/ via @scottynola

Ah, the torturous path Murder in the Rue Ursulines took on its way to the book stores.

There was, if you will remember, a lot of turmoil going on at Alyson at the time. I had worked with a different editor for every Chanse book, and as I waited and waited and waited for an offer for the fourth book, my third editor was fired as the company reorganized its publishing arm yet again, with the end result that they didn’t make an offer on the book until they realized that the fall catalogue had been neglected during these transitions and they made the offer so long as the book could be finished in six weeks (I hadn’t started writing it yet) but I said yes on two conditions: I could work with an outside editor of my choosing, and the contract had to be for two books, rather than one–so I wouldn’t have to go through this again for the fifth book in the series. I kind of figured they wouldn’t meet my demands–but they did, of course, and then I had to write a draft of a book in six weeks.

Constant Reader, I managed it.

The original Alyson cover on the left; the Bold Strokes edition on the right.

“Chanse MacLeod to see Loren McKeithen,” I said to the pretty woman at the reception table. She looked to be in her late thirties, and of mixed racial heritage, her skin the color of a delicately mixed café-au-lait, her hair copper-colored. She gave me a wide smile. There was a wedding ring on her left hand, and a diamond tennis bracelet on her right wrist. Her nails were done in a French manicure. On her forehead was a smudged cross made of gray ash. I was tempted to ask what she’d given up for Lent, but decided against it.

“Have a seat, and I’ll let him know you’re here.” She gave me a smile, picking up her phone. “It shouldn’t be more than a few minutes.”

I nodded and took a seat in an overstuffed leather chair, picking up an issue of Crescent City magazine and idly paging through it. I was tired, probably way too tired to be taking on a new job. The aspirin I’d taken hadn’t kicked in yet, either. Every muscle in my body ached. I’d planned on spending my entire Ash Wednesday in bed, or lazing around my apartment, recovering from the overindulgence of the last five days. But Loren was a good guy, and threw me some work every now and then. So, I’d roused myself out of my post-Mardi Gras stupor and come to his office.

Besides, it never hurts to have a prominent attorney in your debt. You never know when you’re going to need one.

This story actually started out as a Scotty book, what I thought would be the fourth in that series, Hollywood South Hustle. This book was inspired by something that happened to me on my way to work one morning. When I originally went to work part-time at the NO/AIDS Task Force part time, I worked out of the CAN (Community Awareness Network) office on Frenchmen Street in the Marigny. Full time staff had free parking in a lot around the block on Elysian Fields; I had to find street parking in the neighborhood, which was never a guarantee. This particular morning I found a place to park over on Kerlerec, and as I was locking up my car a family on bicycles was coming around the corner at Chartres. The adults raised a hand in greeting and I automatically said “Good morning” pleasantly back to them with a smile, and it wasn’t until after they rode past that I realized it was Brad and Angelina and two of their kids; they lived a few blocks away. As I continued on my way, I smiled at the coolness of the moment and I thought Brad has hair the same color as Scotty and is about the same age and size as Scotty and he lives right around the corner and wouldn’t it be interesting if Scotty was walking past their house and someone shot at him, thinking he was Brad? And that would be the start of something. The more I thought about it as I walked, stopping at the little Vietnamese grocery to buy cigarettes, the more i liked it, and by the time I sat down at my desk the entire story was taking shape in my head.

And yes, instead of doing work that day (I didn’t have any), I wrote up the story, the idea, the title, and began the proposal. I also wrote the first chapter and over the rest of that week I wrote the first five, feeling like I was onto something. I polished up the proposal and the first chapters, while continuing to write, and sent it to Kensington, who held the option on the series. While i waited to hear back from them, never doubting for a moment they would exercise their option and take the book, I kept writing. It was incredibly easy, and I was clocking between three and seven thousand words per day.

The day after I finished writing the first draft, Kensington didn’t exercise their option and cut the series loose.

So, when Alyson came back to me with a book contract offer and a due date that was only six weeks out from signing the contract…I thought, I can just turn this Scotty book into a Chanse book, easy-peasy.

NARRATOR VOICE: It was not, in fact, easy.

Scotty books are not easily adapted into something else, particularly when the new adaptation is more serious than something meant to be farcical and funny and over-the-top crazy…plus, Chanse and Scotty are completely different physical types. I had to change a lot of things, which took the “looks like” gambit down from three to two–but I think that worked better with fewer people and I was a bit concerned that the previous Scotty had also involved three look-alikes…problem solved. But it was a lot harder to do than I originally thought (nothing is ever as easy I think it is when I am pondering what to do), and in retrospect, it probably would have been much easier to simply write something entirely from scratch, but why do things the easy way when I can make it much harder?

Murder in the Rue Ursulines did well; it sold well and got decent reviews, and I’ve always felt it wasn’t a proper follow-up to Rue Chartres.

But…here we are.

Photograph

So….the other day on Twitter my friend Jeff asked about the backstory of this picture:

It’s really not a great story, or at least, not to me. It was one of those things where everything aligned and fell into place perfectly to take what–to me–is one of the funniest pictures of me ever taken; one that I have been able to use on social media repeatedly, for any number of responses to any number of tweets and situations, because it works for so many different things: surprise, shock, horror (it’s actually saved as ‘the horror’ on all my computers and devices, so I can access it from anywhere), and on and on. It works for everything, seriously.

It’s also kind of amusing how much people on social media love this picture. One friend replied to it once with yes….whenever this picture shows up I know it’s a good tweet. I even think some people try to prompt me to use it, and when I don’t, will go as far as to tweet insert Greg’s shocked face picture here, and of course, I always oblige.

This picture comes from the years after Hurricane Katrina, if not the year immediately after. I think, this was from 2007 or 2008. The city was still recovering, but we were also getting some time and distance from the trauma. There were so few people in the city in that year–people returning all the time, new people moving in for the first time–that we all clung very tightly to the friends who were actually here. Going out on the weekends no longer seemed like an indulgence I might be getting to the point of aging out of; instead, it became a necessary ritual to go down to the Quarter gay bars and hang out with friends because we were all sharing the traumas and rollercoaster rides that New Orleans was after the disaster. It felt important to keep renewing those bonds every weekend. The day job was still operating at a shell of what it was before; but a lot of us were working out of the Frenchmen Street office and those of us who did, meeting up for Drag Bingo and tea dance on Sundays (we called it “going to gay church”) had become pretty much de rigeur. I didn’t care so much about Drag Bingo, so often drifted between friends at Lafitte’s and co-workers at Drag Bingo up the street at Oz (I never missed the napkin toss for “Love Is In The Air,” though).

And that is where this picture was taken; on some long -forgotten Sunday at Drag Bingo. I had literally just walked into Oz, having left Paul and some other friends at Lafitte’s to go check in with my work friends. As I recall, Josh, the Evil Mark, and some of the others had gathered at that corner of the square first floor bar, and Josh pulled out his camera and said, “let me take your picture, Greggy.” So I looked at him and smiled…

…and just as he was pressing the button on the camera, the Evil Mark showed yet again why I nicknamed him that by saying, “Why? He’ll just look old.”

I turned my head and that was the face I made–which is why I wasn’t looking directly at the camera. It can never be duplicated because it wasn’t posed; it was a candid, honest reaction to someone giving me a good burn from out of nowhere. I didn’t even see the picture until much later, because it was pre-iPhones and people still were using digital cameras. He posted it later that night on Facebook, tagged me with a vile slander (his caption was Greg just saw something, and it wasn’t true) which I corrected; but I also downloaded the picture because it made me laugh. I don’t remember when precisely I started using it as a reaction shot on Facebook or Twitter, but it always makes people laugh.

And I do like making people laugh, so here we are.

Every so often I stop posting it because I figure people are getting tired of it. It had been a hot minute since I’d used it–to the point where I didn’t even think to use it until someone (Jeff) mentioned it again the other day. What’s really funny is when people use it on ME, which has happened. The first time I probably made the same face, because it had never occurred to me that someone would do that and use it on ME. It still doesn’t happen often, but it always makes me laugh when it does. I do remember one day I was going to use a GIF to respond to a tweet and thought oh, you should post The Horror and so I did, amusing myself endlessly. I didn’t expect it to take on a life of its own and become kind of a social media “cult classic.”

I really should have used it for my author picture.

Take This Heart

This week, my office–where I’ve spent most of the last thirteen years–closes and we are moving into a new building. It’s the end of an era, really; I started volunteering at the Community Awareness Network (CAN) in 2003, was hired part-time in 2005, went full-time in 2008, and here we are. It’s the longest I’ve ever worked anywhere–previously, the record was four and a half years with Continental Airlines–and I’ve actually been using the same room as my office since October 10, 2010. (easy to remember as 10/10/10)

This has been in the works for many months, if not years–recent history has a tendency to blur in my mind–but I’ve been in denial about it for most of the time; I haven’t wanted to deal with the realities of the change or what it means to me personally so I’ve just pushed it to the back of my mind with a very Scarlett O’Hara-like I’ll think about it tomorrow. Well, that no longer works. They are coming to box up our computers and IT equipment on Tuesday; the movers are coming Wednesday morning to take everything over to our new building.

I shall miss my old office on Frenchmen Street; the thin walls, the ugly utilitarian carpet, the questionable plumbing. I will miss the parade of people on the street when I get off work after dark; the guys who smoke weed around the corner; the people I can see getting tattooed  through the windows of the tattoo shop on the corner; the occasional hot fireman from the fire station on the island separating Frenchmen from Decatur. Scotty lives only a block away from my office; the last block of Decatur before Esplanade across the street from the Mint. I will miss my parking spot in the lot on Elysian Fields that made going out in the Quarter so easy for so many years. I’ll miss being across the street from Mona’s Cafe, being a few blocks from Cafe Envie, and how simple and easy it was to stop at Rouse’s on the way home from work in the CBD.

I have prepared for the move without acknowledging the emotional component of it. I boxed up all the books in the bookcases in my office and brought them home or donated them. I have removed the pictures from the walls and the framed certifications I’ve earned over the years. I’ve emptied the desk drawers, organized the paperwork, removed the testing supplies back to the lab for packing.

But now, that the week of the actual move is here, I am remembering past times in the office. I am remembering Felicia and Mark and Roberto and James; Josh and DJ and Tanner and Martin and Jake and Ryan and Mark and Ked, Tyson and Jessica and Joshua and Matt, Brandon and Sarah and Lindsay, Luke and Morgan and Jeff and Drew and Augustin and Alex, Tiffany and Lena, Chris and Michael and Jeremy, Robin and Nick and Chivas and Miguel, Larry and George and Kathy, and so many volunteers over the years. There was a lot of laughter and fun in that office, and over the years we helped so many people.

It’s always sad when a chapter closes in your life, but there’s also the thrill of a new chapter beginning; the ability to keep helping people and doing the kind of work I believe in, and to just keep going on. There will be new challenges to face and overcome, but change isn’t always a bad thing; nor is it something to fear. Life would be rather dull if it remained the same, day in and day out; we would not evolve or grow were it not for change.

And on that note, ’tis back to ye olde spice mines.

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