Tag: Arnaud’s

Sleeping Single in a Double Bed

I’m a little more tired this morning than I was yesterday morning, which is fine. Hopefully the coffee will do its daily trick and get my eyes further open and my brain more functional, because I have a very long day in front of me and I have, as always, a lot to get done. I did get quite a bit done yesterday–not quite enough, as ever–but I manage to get almost everything on my to-do list crossed off before getting started on writing a new one, but I only wrote one thing down and then I got it done, so I get to start over yet again this morning, Huzzah, I think?

I also see a lot of new emails that need to be answered at some point today as well. Heavy sigh.

It’s cold in the Lost Apartment again this morning, and the sun is beginning to rise in the east. The first news push I saw since sitting down at the computer indicates that the river is rising again. I wasn’t so aware that there was so much snow and rain upstream this year in the Midwest, or maybe a rising river every year in January is something we get to look forward to dealing with from now on; I don’t know. Water is the city’s natural and mortal enemy, and always has been since the French arrived 302 years ago and founded a settlement on a high bank of land between swampy bayous and the river. Reading all this New Orleans history as I’ve been doing lately–over the last year or so–has given me a truly deeper appreciation of the city, its people and culture, than I ever had before. Richard Campanella’s Bourbon Street–which is now up the 1980’s, as tourism began to rise as one of the more important economic bases of the city–has been truly fascinating. A lot of the hotels and businesses and buildings, for example, that I thought had been there forever are a lot more recent than I would have ever dared imagine; even the Bourbon Orleans, which I had always believed was simply an old convent converted into a hotel, was actually built fairly recently; not much of the original convent is still there.

Kind of makes those stories about the hotel being haunted by former nuns and dead Civil War soldiers (the convent was used as a military hospital during that war) kind of suspect now, doesn’t it? I suppose ghosts could haunt a location rather than an actual building; could remain to haunt the newer construction as well as the old.

I still have to write that historical Sherlock Holmes story as well. The French Quarter, in the time I would be writing about, wasn’t the Quarter it is today; it was more rundown in the early twentieth century, and was primarily home to a lot of Italian/Sicilian immigrants, who worked primarily on the docks or in the factories (yes, there were factories in the French Quarter) and most locals regarded the Quarter as barely more than a slum and a rough part of town–not much has really changed in that opinion, frankly, other than no one thinks of it as a slum these days, but locals tend to think of the Quarter as a rough part of town and Bourbon Street as a place primarily targeted for tourists, other than, of course, Galatoire’s, Arnaud’s, and Antoine’s.

I also need to get back to work on the Secret Project, which I had hoped to do last night yet was too tired to bother with when I got home from work late last night. I did managed to cook some chicken breasts for snacking and to take for lunch as well as do the dishes and run the dishwasher, but other than that I was pretty much lying in my reclining chair with Scooter asleep in my lap as I let Youtube do as it wished by allowing it to run unabated or unstopped once I clicked on a Carpenters video–I’ve been listening to the Carpenters a lot lately; consistently amazed at the remarkably pure quality of Karen Carpenter’s voice–which inevitably leads to thinking about how her remarkable, extraordinary talent was essentially destroyed by an eating disorder than killed her, very young; I believe that Karen Carpenter was the first very public person to die from anorexia nervosa, and that death brought a lot of attention to eating disorders, which have never really been out of the public consciousness since she died.

It’s sad to think about all the great music she could have made had she lived longer.

Okay, this morning’s coffee is kicking in, so it’s back to the spice mines with me. Have a lovely Tuesday, Constant Reader.

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The Sweetest Taboo

Last night Paul and I had dinner at Galatoire’s.

Galatoire’s is a New Orleans institution; like Antoine’s and Arnaud’s and Commander’s Palace, it is one of those places you simply have to experience. This wasn’t my first time at Galatoire’s, but it was my first time there in a while. Galatoire’s was immortalized by Marda Burton and Dr. Kenneth Holditch in their book Galatoire’s: Biography of a Bistro, and Stella famously took Blanche there for dinner the night of the poker game in A Streetcar Named Desire. I don’t think I’ve ever been into Galatoire’s and left without feeling, at best, tipsy; at worse, staggeringly drunk. Last night I merely had a Bloody Mary and a glass of white wine; fortunately Paul and I had about a six-block walk to the car in the infernal heat of a late June evening, so I was completely sober by the time we got to the car.

We were at a dinner party in honor of author Lou Berney, whose last novel The Long and Faraway Gone is one of the best crime novels I’ve ever read, and whose next novel, November Road, drops in October (we were able to score ARC’s at the dinner). I’ve known Lou since Bouchercon in Raleigh, when he and I graced the stage on a panel with Lori Roy and Liz Milliron, moderated by the incomparable Katrina Niidas Holm. (Lori and Lou went on to win Edgars the following spring; coincidence? I THINK NOT.) It was a lovely evening, despite the extreme heat (and don’t laugh; it is unusually hot, even for New Orleans, this June; this is August weather).

Did I mention I got an ARC of Lou’s new book?

Today’s short story, the next one up in Promises in Every Star and Other Stories, is, of all things, a story about a baseball player, “Phenom.”

The arms around me hit a grand slam tonight.

 It didn’t matter; we lost the game anyway. But I didn’t care. I’ve never really cared much about baseball. In fact, I’d never been to a game until our local team signed Billy Chastain. As soon as I saw him being interviewed on the local news, I knew I was going to start going to games. It’s not that I don’t like baseball, I just never cared enough to go. But all it took was one look at Billy Chastain, and I was sold.

The interview had been one of those special pieces. He’d been a high school star, played in college a couple of years, and then one year in the minors, where he’d been a force to be reckoned with; with an amazing batting average and some outstanding play at third base, he’d been called up to the majors for this new season, and everyone was talking about him.  I just stared at the television screen.

Sure, he was young, but he was also composed, well spoken, and seemed mature for his age. He was also drop dead gorgeous. He had thick bluish-black hair, olive skin, and the most amazing green eyes. They showed clips of him fielding and batting—and then came the part that I wished I’d recorded: they showed him lifting weights. In the earlier shots, it was apparent he had a nice build; he seemed tall and lanky, almost a little raw-boned; but once they cut to the shots of him in the weight room, I was sold. His body was ripped as he moved from machine to machine in his white muscle shirt and long shorts, his dark hair damp with sweat. As his workout progressed and his muscles became more and more pumped, more and more defined, I could feel my cock starting to stir in my pants. And then they closed the segment with a shot of him pulling the tank top over his head and wiping his damp face with it. I gasped. His hairless torso slick with sweat, his abs were perfect, his pecs round and beautiful, and the most amazing half-dollar sized nipples which I wanted to get my lips around.

I bought tickets and started going to every home game.

Our team sucked, to be frank, and it was soon apparent that there was no World Series or even division pennant in our future that year. But Billy was a great player and everyone was talking about him. He was leading the division in hits and had one of the highest batting averages in all of baseball. He made the cover of Sports Illustrated with the headline PHENOM, his beautiful face smiling out at people on newsstands all over the country. There were several shots of him inside without a shirt on; shots I had scanned into my computer, enlarged and printed out for framing. I made sure my seats were always behind third base, so I could get as great a view of him as humanly possible, in his tight white pants that showed every curve and muscle of his legs—and the amazing round hard ass I thought about when I closed my eyes and masturbated. Every so often he would look up into the stands and smile, saluting us with a wave.

I wrote “Phenom” for the Alyson erotica anthology Fast Balls; I was asked by the editor to write a story.

I’m not a big baseball fan; my parents forced me to play when I was a kid and yes, the experience was incredibly traumatic. I do love going to games and watching in person; but watching on television isn’t something I’ve ever really enjoyed a lot. So, writing a baseball story was a bit of a challenge for me.

Then I remembered, when I was a teenager in high school, following the Kansas City Royals, and a Sports Illustrated cover with young star Clint Hurdle with the word PHENOM on it…and I thought, you know, I can write about a player instead of the game, and that was my starting point: a hot young baseball star turns up in a gay bar after a game and a fanboy’s dream comes true.

And now, back to the spice mines.

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