Thursday and a work-at-home day. I have data entry to do and condoms to pack, reality shows to catch up on, emails to answer and an apartment to clean from top to bottom (always). My insomnia is back again, so yesterday when I got off work I was too tired to go to the gym or do much of anything once I got home–in fact, the evening is kind of a foggy blur. I know Paul and I binged out way through some more episodes of Happy Endings, and I did spend some time reading Bath Haus, but other than that, I can’t really think of anything interesting that went on last night around the Lost Apartment. I did get my contributor copies of the Sherlock anthology, The Only One in the World, and they are quite lovely. Yay!
At some point today I also have to make groceries. I was going to do it Tuesday night after work, but was tired that night, too. I hate that the insomnia is back, and when I see my doctor (at last!) next week I am going to talk to him about options besides the alprazolam. I need the alprazolam because it keeps my mood swings under control, but at the same time, if that prescription isn’t going to be increased–I need at least four prescriptions for six months, not three, if not more–then I am also going to need to have something else prescribed that I can take on the nights I don’t take the alprazolam.
I also need to get back to work on “Never Kiss a Stranger” tonight. I am so close to being finished with it that I hate that I’ve stalled so much on it. It would be great to bang out three thousand words today and another three thousand tomorrow, so that it will be finished in a first draft form; and then I can get to work on some other things.
And that’s the problem with the insomnia. When I am tired I can’t think; when I can’t think it becomes harder to write, and then I get stressed, and the stress leads to more insomnia, because then I am too tired also to do much of anything, let alone stay on top of everything I need to stay on top of, which begets more stress, which turns into more insomnia, and so forth. So stress management is probably the most important thing for me right now, and as such, I need to take deep breaths and remember, at all times, it is what it is. I can only do so much, and pushing myself even harder will only create more stress, lessen the quality of my work, and end up being more defeating than not getting something finished.
Which is always bad news.
I also reread–just remembered!–my story in the Sherlock anthology; I tend to not reread my work very often–generally by the time it is finished and I have gone over the page proofs, I am so heartily sick of it I never want to see it again–but usually, whenever I got a copy of the finished book or anthology, I will sit down with it and read it as a finished product before putting them on the shelf and never looking at them again. So, last night I did sit down with The Only One in the World and revisited “The Affair of the Purloined Rentboy” (still one of my favorite titles ever) and you know what? It’s pretty good. I don’t ever give myself enough credit for anything I ever write or do–ever, and it’s a lifelong problem–instead, whenever I reread something of mine in print I continually edit it or rewrite it or think “why did I say it that way? This would have been better” and find flaws and pick it apart and frankly, it’s exhausting and emotionally debilitating and inevitably sparks a downward spiral of some sort. (Sometimes I wonder why I went into this field; I am clearly not emotionally strong enough for it, or mentally stable enough, for it. I also need to remember these things when I am reading about some writer from the past who was an alcoholic–I often think why were so many writers alcoholics? This is why.)
So, yeah, it’s not a bad story. It’s a nice read, there’s some lovely language and characterization, and I feel like I did a pretty good job of conjuring up the New Orleans of 1916. I would like to revisit my Holmes and Watson sometime, but not sure how to go about doing so–and perhaps someday when the inspiration or idea comes to me, I will–I do have a vague idea for another tale set in Storyville with them, based in a true story of a murder in at a brothel; but not sure I will ever have the time or investment to write “The Mother of Harlots” (also a good title.)
And now back to the spice mines.