Karma Chameleon

I had some seriously strange dreams last night. The first was a nightmare involving reptile and snakes–that’s all I remember of it–but Paul had to wake me up because I was crying out in terror in my sleep. (Thanks for the rescue.) In the second, more benign but also scary dream that I remember, I was teaching a creative writing class, focusing on short stories. I suppose the subliminal message my mind is telling me is how terrified I am of writing short stories, and I have any number of them on deck that need to be written, and time is rapidly running out before they are due. Heavy heaving sigh. Maybe in the first dream the snakes and reptiles symbolized the deadlines.

Stupid short stories anyway.

We’ve finished watching season 2 of Freakish, and alas, it’s not as good as Season 1. We’ll probably watch the third season, if there is was, to see if it recovers its lost promise; but yeah, jumped the shark and went off the rails in the second season. Plus, it has The Walking Dead problem; to up the ante they have to  keep killing off characters and introducing new ones. The problem (spoiler!)is they keep killing off ones we like and keeping the unlikable, stupid ones…and adding more unlikable, stupid ones. In the first season, part of its charm was that Breakfast Club thing of kids who have nothing in common and are from completely different social circles, for the most part, having to work together and come together and bond to survive. That was lost in the second season; which is a shame as it was one of the show’s strengths; the developing relationships and bonds between the characters.

We’ve also started watching Mindhunter on Netflix, which is fucking amazing. The first episode was a trifle slow, but still interesting; episode 2 really gets the ball moving and when it was finished, I was really disappointed we didn’t have time to stay up and watch another episode. It really is terrific–and the guy who plays the Co-ed Killer should win an Emmy for Best Guest Star. He was absolutely riveting. They also have done a remarkably good job of capturing the late 1970’s; as I said to Paul last night, ‘wow, I had no idea or memory that the late 1970’s were so aesthetically ugly; colors and designs and so forth. Blech.’ Can’t wait to get home tonight and watch another.

I read another chapter of Alafair Burke’s marvelous The Wife last night, and that story is also really starting to pick up. One of the great things about Burke’s writing is her attention to little details that make the story and characters seem absolutely real and authentic.

I also–speaking of short stories and so forth–got some revising of early Scotty chapters in the new book done, and realized that a scene in Chapter Three is eerily reminiscent of one in a short story I am writing. Ah, well, I guess there’s no harm in slightly plagiarizing yourself, is there?

The weather was weird yesterday; it appears to be more of the same out there outside my windows this morning. Heavy heaving sigh. At least today I know to take a Claritin before i leave the house.

And now, back to the spice mines. Here’s a Throwback Thursday hunk for you, Constant Reader, actor/model Gordon Scott:

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Ghostbusters

Wednesday and a gray morning here in the Lost Apartment. For a brief moment I thought it was Thursday; I don’t know where the hell that came from, but it’s indeed Wednesday, and as I sip my second cup of coffee and look at cats sleeping on the scaffolding outside my window, I am girding my loins for an incredibly busy day at the office.

I’m enjoying thoroughly Alafair Burke’s The Wife, which I am reading about five to ten pages at a time at night before I turn off the light and go to sleep; I look forward to being able to dive into it a lot more thoroughly. I also managed another 1500 words or so on Scotty yesterday, and finished that darned essay. I don’t have to turn the essay in until this weekend, so I am going to let it sit for a few days before I reread it and tweak it. It’s about censorship, banning and sensitivity readers; my big fear is the points I make are going to be offensive.,.but maybe the fact that I’m worried about unintentionally giving offense is a good sign? I dunno.

We will have to see. It’s a very charged topic.

My kitchen is a mess this morning; and I have yet to decide what to take with me for lunch. Heavy sigh. I should clean up this mess so I don’t have to deal with it tonight; I should have dealt with it all last night. I hate when I do that.

I’m feeling good about my work again; which is something. Getting writing done is always the key to this; there’s an anthology I want to submit a story to whose deadline is the end of this month and I’ve only written a small part of the story. I’d hate to not submit, but the story also has to be really good. I could focus on it over the Thanksgiving break, of course, but I’d like to have a rough draft figured out and written before then. I hate when I do this to myself; and I have another that I’ve agreed to write by the end of December that I haven’t really started yet.

And on that note, this kitchen isn’t going to clean itself. For your Hump Day Hunk, here’s professional wrestler Ashton Vuitton:

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Owner of a Lonely Heart

Tuesday, Tuesday. I managed to slog through another thousand words of the new Scotty yesterday, and some things I want to do with the book are starting to take shape. I also managed another five hundred words on an essay I am writing and need to finish, but it’s a tricky one–one that could easily give offense. I am going to go back to the beginning of it again this morning and see if I can start revising at the start, and maybe then I’ll be able to finish it. I feel a bit rusty–I used to be able to knock off a couple of thousand words in an hour or two, no problem, every morning, and now it’s more of a slog. I am going to blame it on a lack of practice, and that I need to simply get my writing muscles back into shape.

Yeah, that’s the ticket.

I have to say that I finished reading my advance copy of Laura Lippman’s Sunburn this weekend, and was completely blown away by it. I’ll post a review when it’s around time for the book to be released, where I will go into more detail about how incredible this book is, but reading it and the new Alison Gaylin (If I Die Tonight) was truly inspirational. Ironically, I myself have had an idea for a noir thriller lying around in my files for decades now, also called Sunburn–which, obviously, I won’t be able to use now, if I write it I’ll clearly need a new title–but they have nothing in common other than the title and the sensibility. I love noir so much, and I really want to write more of it. I also started reading my advance copy of Alafair Burke’s The Wife Sunday night, and got more into it last night, and it, too, is quite extraordinary.

Reading such amazing work by friends is inspirational, but also a bit humbling. But I also kind of love reading books that make me think, boy, I have to work harder and do better. 

And on that note, I should get back to the spice mines and get to work.

Here’s a Tuesday hunk for you:

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Hello

When I was cleaning out/working in my storage unit a few weeks ago, I uncovered the only surviving copies of two anthologies I edited pre-Katrina: Shadows of the Night (horror) and Upon a Midnight Clear (gay Christmas tales). I picked them up Saturday night during the Alabama-LSU game and paged through them, and laughed as I realized I’d published a story of my own in each anthology, but being afraid of being accused of ‘self-publishing’, I used a pseudonym. The pseudonym was one I was going to use for writing horror, and the name I chose makes me laugh really hard: Quentin Harrington. Quentin came from the old show Dark Shadows, and “Harrington” was a variation of my last name that, sometimes but not very often, people used to actually think was my name (along with Harris, Herron, Heron, Huron, Aaron, etc.).

The stories, which I’d completely forgotten about, were “The Troll in the Basement” and “The Snow Queen.”

The books have been out of print for about ten years now, and Shadows was actually a Lambda Literary Award finalist (the first time I was nominated twice in the same year; I was also nominated in the Men’s Mystery category that year for Jackson Square Jazz, and was also the first time for me to lose twice in the same year). Shadows was inspired by two thoughts: one, how much I enjoyed Michael Rowe’s two Queer Fear anthologies, and by knowing how many writer friends I had who enjoyed horror but didn’t write it. I thought it would be interesting to get a group of writers who didn’t write horror, and see what they could come up with. I can’t believe I’d forgotten about my own story; which isn’t bad, but isn’t great, either. It had one of those 1950’s EC Comics endings–something I still tend to do, even with crime stories, and is something I need to get away from.

Upon a Midnight Clear was an anthology I’d been wanting to do for a very long time before it came to fruition. I’d always wanted to do an anthology reclaiming Christmas for LGBTQ people; there is so much out there–TV shows, movies, specials, books, etc.–for Christmas but none of it exploring it from the queer outsider’s point of view. I’d gotten a story submitted for another anthology that was Christmas-themed, and didn’t really fit that particular anthology; but it also triggered the why not do a queer Christmas anthology? It could be a perennial seller at Christmas time. And that’s how the anthology was born. I got some terrific stories (of particular note: Jim Grimsley’s “Comfort and Joy,”  David McConnell’s “Christmas 1989,” and “Our Family’s Things” by Jay Quinn–but they were all lovely stories in one way or another) and the book sold a fair amount of copies. My own story was a twist on Han Christian Anderson’s “The Snow Queen,” not an exact rewrite or retelling, but something I took and twisted and made my own. I liked the story a lot, but had completely forgotten I’d written it.

Alas, I only have one author copy of each anthology; someone on Twitter was looking for queer Christmas stories and ‘Nathan Burgoine recommended Midnight Clear,  and if I had even one spare copy I would have sent it to the person looking. But I don’t, and so I can’t part with my copy.

I also was invited to write a story for an anthology yesterday, which was thrilling (it’s always nice to be asked) and the story itself is going to be a challenge to write, which is also thrilling. I do love me a challenge.

I spent most of yesterday cleaning and finishing reading Laura Lippman’s astonishing Sunburn, and started reading Alafair Burke’s The Wife last night. I have a lot of thoughts about the Lippman, just as I do about the Alison Gaylin I finished Saturday night, but will review them and talk more in depth about both books closer to their release dates. I am enjoying Alafair’s book, too, by the way.

And now, back to the spice mines.

Jump

Sunday morning and the end of Daylight Savings Time. I woke up at the usual time, reset the clock to the correct time, and stayed in bed for another hour…but still got up early. It’s fine, I don’t mind, and I am actually awake rather than groggy. I need to get groceries–a minor run for some staples and a few things I need for dinner tonight–and I also need to get to the gym today. (I did not, in fact, go yesterday as planned.) I also managed to destroy my ancient iPod Nano. I took it out of my car (where it’s my music source) and put it in my jeans pocket Friday so I could take it with me to the gym, forgot about it, and yes, put it through both washer and dryer. Sigh. Now the screen is dead–the memory in it still works, if I connect it to my computer–but the controls don’t work, and they don’t make Nanos anymore, which totally sucks. I had that damned thing for almost seven years…so I guess I’ll have to use my iPod Touch, which is nine years old, for the gym instead until I can swing getting a new one, I suppose. So annoying. Then again, if it costs less than a new iPod Touch, it might be worth seeing if it can be fixed.

I suppose I could just use my phone, I suppose, but I hate how the music cuts off if you get an email or a text or something. It’s jarring.

First world problems, I know.

I am reading an advance copy of Laura Lippman’s Sunburn, and it’s really quite exceptional. It’s very different than anything she’s done before, and I have to say, it’s quite the ballsy move. It’s very easy to just write the same style and the same type of book over and over again, but Lippman has really stretched herself and grown in her stand alone novels; this, coming after the sublime Wilde Lake, is yet another gamble that is paying off big time. And as I said yesterday, reading amazing work by amazing writers is inspirational; I actually sat down at the computer yesterday and made myself write two thousand words; and they were good words. They took me longer to write than usual–my attention span is so shortened because of social media and everything else these days; I need to remember that the best thing for me to do when I get stuck is to get up and do something away from the computer; even if it is something as simple as rearranging a cabinet shelf; putting things in order and organizing, for some reason, always works as a writing trigger for me. But it’s more than I’ve written in a long time, and I am kind of excited about it, to be honest. I still have an essay to write, and there’s a short story I need to write, but I want to get some more of this Scotty done before I sidetrack myself again.

And on that note, ’tis back to the spice mines. Here’s a Sunday hunk for you, Constant Reader:

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Against All Odds (Take a Look at Me Now)

Saturday morning! I finished reading my advance copy of Alison Gaylin’s If I Die Tonight last evening, and was completely blown away by it–so much so that I tried to start reading something else and just had to put it aside for a while. I read my next book for a bit in bed before going to sleep–it’s an advance copy of Laura Lippman’s Sunburn, and it, too, is quite extraordinary–and this morning am still processing both. I’ll no doubt finish Sunburn this weekend as well–I am already itching to get back to it, although I have other things I simply must do this morning–but the kitchen is already cleaned up. I need to do the floors and put some finishing touches on things down here, and I might clean the windows. I have an essay to finish writing and I want to work on the Scotty book some; possibly some other things as well. It would be incredibly easy to sit in my easy chair and waste the day watching college football…but I’m not going to. Tonight is the LSU-Alabama game…sigh. Obviously, I want LSU to win, but it’s such a long shot, and Alabama just looks unstoppable this year. Sigh.

While work on the new Scotty has been incredibly slow going, part of that is attributable to the post-Bouchercon malaise, methinks. I feel very confident that I’m going to be able to get back to work on it today and make significant progress. I know what the underlying theme of the book is, and now it’s simply a question of being able to work the personal story and the crime story together and make it work. Rereading these old Scotty has helped; putting together the Scotty concordance/Bible is also going to help in ways I can’t even imagine right now.

Reading brilliantly written books also helps a lot. I can’t recommend reading great writers enough as a learning experience for writers. I always say that the best writers inspire me when I read their work; I think part of the reason I’m so fired up this morning to get to work is because I read a brilliant novel last night and started reading another one before bed…and have even more on deck that I know are going to be equally brilliant. This excites me to NO end, Constant Reader.

I also want to revise that old y/a manuscript and get it going. I know now, having both reread and outlined it, what was wrong with it and why it didn’t work. I am very excited about this, as well.

It’s been a while since I’ve been excited about writing, and it feels terrific.

And now, I should get  back to the spice mines. Here’s a Saturday hunk for you, Constant Reader.

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What’s Love Got To Do With It

I finished my reread of Hell House last night, and it does, in fact, hold up rather well. It was, frankly, a most satisfying way to close out my Halloween Horror month of reading; even if it was a reread, and a book I’ve read several times before.

I first read it when I was a teenager; it was one of the many mass market paperbacks I found on the wire racks at the Zayre’s in Bolingbrook. The cover was rather non-distinct; black, with a photograph of a woman in a red halter dress, carrying a candelabra and looking back over her shoulder, a terrified look on her face, her long dark hair being blown backwards by the same wind pushing the candle flames backwards, with the title above it in red letters: HELL HOUSE. I had watched The Haunting several years earlier, and was absolutely terrified by it; I hadn’t yet realized that it was based on a Shirley Jackson novel. So when I saw Hell House, I did think that it might be the same story, and of course Hollywood had to change it to Hill House. So I bought it, took it home and started reading.

It was similar, but it wasn’t the same story. By any stretch of the imagination.

Scan

It had been raining hard since five o’clock that morning. Brontean weather, Dr. Barrett thought. He repressed a smile. He felt rather like a character in some latter-day Gothic romance. The driving rain, the cold, the two-hour ride from Manhattan in one of Deutsch’s long black leather-upholstered limousines. The interminable wait in this corridor when disconcerted-looking men and women hurried in and out of Deutsch’s bedroom, glancing at him occasionally.

He drew his watch from its vest pocket and raised the lid. He’d been here more than an hour now. What did Deutsch want of him? Something to do with parapsychology, most likely. The old man’s chain of newspapers and magazines were forever printing articles on the subject. “Return from the grave”; “The Girl Who Wouldn’t Die”–always sensational, rarely factual.

Wincing at the effort, Dr. Barrett lifted his right leg over his left. He was a tall, slightly overweight man in his middle fifties, his thinning blond hair unchanged in color, though his trimmed beard showed traces of white. He sat erect on the straight-back chair, staring at the door to Deutsch’s bedroom.

What Deutsch, an old and dying billionaire, is proof that either that afterlife exists, or that it doesn’t. In order to get that proof, he is willing to pay an almost obscene amount of money, and do pretty much anything. He is, in fact, assembling a team to send to the “Mount Everest of haunted houses,” the Belasco house in Maine; more commonly known as Hell House.

Like in The Haunting of Hill House,  a team of four people are going to go into the haunted house to, basically, see the phenomena, observe and document it, and, if possible, cleanse the house of the infernal spirits haunting the house. Two teams have gone into the house in the past; with one exception, all of them were either killed or went insane.

That one survivor, Ben Fischer, is a part of this expedition.

Dr. Bartlett, though, is no Dr. Montague; who merely wanted to experience the phenomenon at Hill House and write a paper about it; Dr. Bartlett’s life’s work has been based on the theory that hauntings, or so-called paranormal phenomena, are not actually caused by ghosts or spirits, but are simply residual energy. He has designed a machine that will reverse that energy and therefore cleanse Hell House–or any other haunted house. His much-younger wife, Edith, believes in him and his work…but there are issues within their marriage; he is a polio victim and the polio has also left him impotent; Edith herself has issues with sex and her own sexuality and this sterile, sexless marriage is a refuge for her.

The other two members of the party, Ben Fischer and Florence Tanner, are both mediums. Ben was a mere teenager when he went into Hell House the first time; he was the lone survivor, the one Hell House could not kill or drive insane. He has since stopped used his psychic gift. Florence is a beautiful woman who has her own ministry and believes her gifts come from God; she believes ghosts are spirits that have not moved on and it is her duty to use her gift to help them move on, through love and the power of prayer. She and Dr. Bartlett have competing beliefs and values…and once they are all inside of Hell House, the terror truly begins.

Richard Matheson was a great writer; many of his writings were made into films–Stir of Echoes, Somewhere in Time, I Am Legend, The Incredible Shrinking Man–and many of his short stories became classic Twilight Zone episodes–he wrote “Terror at 20,000 Feet”–and Hell House was filmed as The Legend of Hell House, which I also saw as a teen and it absolutely terrified me.

It’s awesome that the book holds up.

When Doves Cry

We finished watching Stranger Things last night, and were sorry to see it end; it was quite a lot of fun, and Episode 8 was a non-stop adrenaline rush from beginning to end. The last thirty minutes of the season was absolutely charming; those kids are just so damned appealing, and Winona Ryder was much better in this season than she was in the first. I also got much further along in Hell House; I should finish it today to end my official month of Halloween Horror reading. Some great crime novels have stacked up while I devoted myself to horror this month; can’t wait to start digging into crime again.

I finished outlining Jackson Square Jazz last night, and am going to start work on the Scotty concordance/Bible this week while I also work on Crescent City Charade. I’m still not completely sold on that title, let me say that right now; it’s very likely going to change before I turn it into the publisher. It’s been fun rereading (or rather, skimming) Jackson Square Jazz preparatory for doing the outline; I feel much more connected to Scotty than I was. The amazing thing to me is how many continuity mistakes I’ve made over the years. The lovely thing is that I can now go back to the original books and fix the errors–there’s nothing i can do about them in the later books. In fairness to myself, I don’t really remember much of anything I wrote pre-Katrina, but I could have–should have–gone back and reread the originals, and the Bible/concordance is way overdue.

It’s also amazing how much I did forget. The plot of Jackson Square Jazz was almost a complete mystery to me, and it was a much better book and story than I remembered it being. Ah, memory is such a strange thing, isn’t it?

I really do need to be better organized. The kitchen is a mess this morning, and I need to make another to-do list. I’ve got some laundry going and I need to do the dishes and make chili for the crockpot to cook all day. And on that note, it’s back to the spice mines.

Here’s a Halloween hunk for you:

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Fall in Love with Me

A chilly Monday morning in New Orleans. I am arming myself with coffee and a thorough to-do list to get me through the week. I am confident both will hold me in good stead.

We’re binging Stranger Things, and after a slow first couple of episodes, it certainly has picked up steam. We were both regretful we had to turn it off last night in order to go to bed; if we didn’t have to work this morning we would have stayed up and finished it off. But there’s always tonight. (rubs hands together in glee).

I’m also about halfway through Hell House, which is holding up beautifully. I am again amazed at how similar, both in title and structure, the book is to The Haunting of Hill House, The tone and voice are completely different, of course; Hell House actually goes into the POV of all of the characters at one time or another, whereas Jackson focused primarily on Eleanor. And Hell House is definitely more haunted than Hill House; it’s called ‘the Mount Everest of haunted houses’–and the house has a much more infernal history than Hill House’s softer, more Gothic history of madness and death. There are times, too, when Hell House’s backstory seems almost over-the-top; yet at the same time, I can’t help but think wow, a book about everything that went on back then would be fascinating. It’s very definitely both a haunted house book and a “bad place” book.I do remember how it ended, I just don’t remember how Matheson gets the reader there. Definitely enjoying the ride thus far.

This morning I also had a breakthrough on a short story I’ve put aside. The question is, can I finish it and polish it in time for the looming deadline? I think so.

Okay, it’s time to get back to the spice mines. Here’s a hunk to get your week rolling:

 

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Breaking Us in Two

Sunday. It’s one degree warmer than yesterday morning–wow, right? But you will undoubtedly be thrilled to know that I get everything on my list done yesterday other than go to the gym; and after spending two hours in the storage unit moving boxes of books around, I was pretty damned exhausted physically, and then braved Costco on a Saturday afternoon (it wasn’t bad at all, other than stupid people, which is every day). I also came across some books in the storage that I thought hey, these need to be reread and so I took them out. One of them was Richard Matheson’s Hell House, which seemed, at least to me, to be the proper reread after The Haunting of Hill House, in that they’re very similar; one could even go so far as to say Matheson basically took Jackson’s story structure and turned the dial up a notch. I am enjoying the reread very much; although I’m not very far into it thus far. I also found my copy of Michael Rowe’s groundbreaking anthology Queer Fear, which I reviewed in the Lambda Book Report many years ago when I worked there, and was to be my first encounter with Mr. Rowe; I remember he came up to me at the Lambda Awards the next year, introduced himself, and thanked me for the lovely review. We’ve crossed paths a few times since, and have become friends over the years. I do remember loving Queer Fear, and look forward to delving into it and rereading its short stories again.

I also found my high school scrapbook and my diaries from the 1990’s. I used to buy blank books and carry them around with me everywhere, so I could jot down story and/or book ideas, or write diary entries whenever I wanted to. I am always hesitant to reread my old diaries; I often wince from my immaturity and my over-dramatization of events in my life. Yet at the same time, the diaries also served as a very vital source of self-reflection and self-examination; I suppose this blog has served that purpose since I started it on Livejournal back in 2004 (the idea that I have been consistently blogging for thirteen years rather staggers the mind, doesn’t it? But I’ve been writing in a diary of some sort, off and on, since I was a teenager; this seems to be a natural continuation of that process).

I also found the three ring binder where I kept everything from the Virginia situation of 2005 and 2006; including the ACLU letter to the school board. I’d always intended to write a non-fiction book about it all, called Gay Porn Writer, in which I examined what happened to me in the context, not only of the times but extrapolating it out further into what was going on in publishing and the culture. My memory lies to me now, of course, so I am not certain that I’ll ever write such a book–I don’t know that I would remember things correctly, and even then, what is colored by my perceptions of things. I’ve since moved on, of course–I mentioned the incident in passing on my panel at Bouchercon and had to explain it a little, which was kind of crazy. It was so long ago, and I used to get invited to speak about it all the time. The memories are now hazy and unclear, but I am definitely going to keep all this information.

You never know.

I think I am probably just going to scan everything in the scrapbook, in order to preserve it electronically, and then throw it away. I don’t really need to keep programs from my high school football games, or from choir concerts, and scanning them will better preserve them anyway.

I have one errand to run today, and I also want to go to the gym for a little bit, start dipping my feet back into the water of working out regularly, and despite the cold, I am going to give that a try.

And hopefully, I’ll get some writing done, or at least something done that will move all projects forward.

Here’s a Sunday hunk for you:

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