Six Feet Under

Ah, Murder in the Irish Channel.

I really enjoyed writing this one.

It was the sixth Chanse, and I was trying something different with the opening of this one. I hadn’t read Ross Macdonald before I became a writer, and I was very much in the “John D. is my favorite Macdonald crime writer” camp. I had been on panels with Chris Rice a few times and he raved about Ross every time, so I kept thinking you need to read Ross Macdonald and so, sometime after Katrina, I started reading the Archer novels, moving on to stand alones and the short stories eventually. When it was time for me to write this book, I thought, try to write an opening in Ross Macdonald’s style, and try to keep that world-weary, cynical pov through the whole book.

The house was a tired-looking single shotgun, badly in need of paint and listing to one side. It was in the middle of a block on Constance Street, facing the river. There was a rusted cyclone fence around the front yard. A statue of the Blessed Virgin Mary sat inside a circle of stone to the left of the walk leading to the front gallery. I put my car into park and verified the address—sorry I’d quit smoking for maybe the ten thousandth time.

In my line of work, it’s never a good idea to make a decision when you’re tired.

But I’d given my word, even though I’d been ready to fall asleep. It didn’t mean I had to take the job—whatever it was. All I had to do was find out what the problem was, maybe even just give some advice—which would most likely be either nothing anyone can do or this is a job for the police.

Besides, whoever lived in this dump sure as hell couldn’t afford a private eye.

I shut off the engine and got out of the car. It was already over eighty degrees, and it wasn’t even noon yet. Beads of sweat popped out on my forehead. Early April, and it felt like summer already. I sighed and pushed the gate open. It only opened about six inches before it caught on the cracked pavement of the walk and stopped. I sighed and stepped through, catching my jeans on the fence with a slight ripping sound. I swore under my breath and examined the tear. The jeans weren’t new, but it was still annoying.

This book had several different inspirations.

First, the casino used to have MMA fights every weekend, so we had MMA fighters in the city. One of their requirements to fight was they had to have a current negative HIV and Hep C test, and guess what we do at my job? For the longest time, all these hot young fighters would come into the office every Saturday to get cleared to fight, and they came in fairly regularly. I used to talk to them a lot–I wrestled, and MMA is a lot more violent–to get some kind of idea why they did this, how they got into it, and so on. I had thought about writing a mystery about a murdered MMA fighter, but could never really get my mind around it…and then I decided, what if he was the client? Interesting.

The second source of inspiration came from a decision of the Archdiocese of New Orleans to close some churches/parishes in the city, and my friend Billy Martin was involved in the protests to save Our Lady of Good Counsel (it was a gorgeous church), even getting arrested. I wanted to do something around this as it was something that actually happened, and I also got to skewer the Archdiocese (any place that could hire David Vitter’s horrific wife to be their legal counsel deserves every skewering it gets)…so I filed that thought away.

The third and final inspiration was serving on jury duty for a civil trial. It was, of all things, a Katrina insurance fight–in which the insurance company was trying to not pay out a claim (all of us in the jury were like, “why on earth would you allow a Katrina insurance case to go to trial in New Orleans? We fucking hate insurance companies.” The fact that it was Lloyd’s of London (who became famous in the wake of the San Francisco earthquake when the president of the company wired the San Francisco office, “pay every claim”) made it even more of an eyeroll for me. An apartment complex on the west bank had sustained damage in the storm, and the insurance company was claiming they didn’t have to pay out “because the claim is for issues that predated Katrina and the place was a shithole” while claiming the complex could have reopened after Katrina “because it was gorgeous” and so they didn’t have to pay out for lost income. The first person who was called to the stand was the complex’s forensic accountant who corroborated all of the plaintiff’s claims and basically made it clear that Lloyd’s was just trying to get out of a huge payment. After he testified, we took a long lunch as they were all in conference…and the claim was settled. I think the lawyers from Lloyd’s hoped that the plaintiff would eventually back down and wouldn’t go to court–and they called that bluff and were decimating Lloyd’s in court.

I mean, the place couldn’t be a shithole and a beautiful property available for rental. Make up your fucking minds, trash at the insurance company.

And what if the MMA fighter’s mom was fighting the closing of her church, had worked for someone suing an insurance company, and then she disappears?

Yes, that was a lot of fun to write. And I was pretty pleased with how it turned out in the end, too. It was also my first Chanse novel with Bold Strokes, and they gave me that beautiful cover above that I love. It made a lovely transition for the series.