Happy 4th of July, everyone! I’m going to listen to Hamilton today, maybe relax with some American history later this afternoon, and try to avoid social media as much as I possibly can.
Yesterday was kind of the pits, writing wise; at least it seemed to be that way. As you know, Constant Reader, the revisions have been going swimmingly, I needed to add some things here and there, correct some language that was egregious, delete repetitive stuff, but overall, when I made myself open up the document and start working through it, it was all easy and simple and I was starting to feel really good about myself: this is a really good draft already, isn’t it?
Yesterday I reached the chapters where the serious revision was needed. I opened up Chapter 16 (of nineteen, see how close to being done I am?), humming happily along to Taylor Swift on the iHome (don’t judge me) and crashed up against the realization that the very first paragraph of Chapter 16 was, in fact, an entire scene rather than a paragraph where I summed up what happened in that scene. Then I realized that the next paragraph was, again, a summary of action that needed to be turned into a scene–none of which I wanted to do yesterday. I’ve been binge-watching the MTV series Scream (which Paul and I had abandoned about five episodes into season one) and have been enjoying it tremendously (it’s apparently better as a binge rather than watching from week to week); I’m reading both Daniel Woodrell’s Tomato Red and a couple of chapters of The Secret of Terror Castle as I drift off to sleep every night; and I started writing another short story yesterday morning (currently titled “For All Tomorrow’s Lies”). I also cleaned the bedroom, reorganized and filed in the kitchen–it’s absolutely amazing the lengths I will go to not work on these revisions. I even scrubbed out the bathtub and cleaned the upstairs bathroom. But I did eventually force myself to sit down and work on Chapter Sixteen–constantly going back to check Facebook and Twitter (I sometimes wonder how much social media has affected people’s writing habits), and seriously, expanding these paragraphs into scenes was like pulling teeth…until I realized at one point I’d written 1500 new words in between half an hour and forty-five minutes; in addition to the 700 or so I’d written on the new story. I wrote another 500 words, and thought, you know, two thousand new words is a lot in slightly more than an hour, maybe tomorrow it’ll flow easier so I, despite that nagging voice in the back of my head (“What if you don’t want to do this tomorrow, either?”), I saved the document and decided to go back to cleaning for a while before watching Scream. I checked my email…
..and discovered that a story I’d submitted to Mystery Week magazine a few weeks ago, “Keeper of the Flame,” had been accepted for publication, and the contract was already there!
There really is nothing like having one of those bad writing days where every word is like passing a kidney stone, where you begin to wonder whether or not the well has finally run dry and you’re finished as a writer, only to get this lovely kind of affirmation. It’s really just timing, more than anything else, and I try not to be superstitious and see things as ‘signs’, but you can see, can’t you, how easy it is to fall into that mentality?
“Keeper of the Flame” is a story I am very proud of, and it’s really dark. I originally wrote it to submit to a conference anthology–many conferences do these every year, and I thought I should maybe start writing stories to send in for more of them; this was my first or second attempt. After it wasn’t accepted (I found out when the anthology was released, which is incredibly poor form–you should always let people know whether their stories are being used or not; I decided not to submit to that particular conference anthology ever again. There was another one where I was asked, two years in a row, to submit; ironically the first time my story wasn’t used and I wasn’t told. They wrote me again the next year and wanted to use that story THAT year–I’d already sold the story elsewhere, as one does, so I wrote another and yes, once again, wasn’t notified they weren’t using it. The third time they asked me, I was rather curt with them. But I digress.), I revised it a little bit and submitted it to a magazine, which ultimately rejected the story–they did send me a lovely note, telling me it was a great story but not right for them–and I’ve been sitting on it ever since. About a month ago, Mystery Week came to my attention–I don’t remember how; someone I know either sold a story to them, or it was mentioned in a newsletter from one of the writing organizations I belong to, or something like that; my mind is frankly a sieve these days–and I thought, hey, nothing to lose, might as well try here.
And hey, I sold it to them. Huzzah!
I’ve been getting lots of lovely news lately, lovely affirmations that have been coming along at just about the right time, to be honest. I’ve gotten some lovely emails and Facebook messages and tweets from readers over the last few weeks as well.
Today, I feel like I can not only stare down those damned revisions but get them, if not finished, pretty damned close to being finished. And that’s a good thing.
I’m going to also share with you the first paragraph of the new story, which I figured out what the rest of the story was last night before falling asleep:
Lori first noticed the man watching her in the fresh section of the Rouse’s on Tchoupitoulas Street. She was busy thumping melons and feeling foolish, like she always did when thumping melons with her index finger. She’d never really learned how to tell the difference in sound denoting ripe versus non-ripe, but she was too self-conscious to simply pick up a melon and put in her cart without going through the time-honored ritual. It was a cantaloupe she was holding when she noticed the man, over by the bins for varieties of onions and potatoes, looking at her.
And revisions? Kiss my American ass. I will DEFEAT you today.