Tag: Transylvania

Daydream Believer

Hello, Monday morning and how are you? I am feeling okay this morning, all things considered. I slept well last night but am once again unused to getting up early in the morning so feel a bit groggy this morning and like I really want to go back to bed, if I am being completely honest. I wrote quite a bit last night, which was terrific, and went to bed later than usual because I was trying to finish chores before going to bed. The laundry did get finished, and I did run the dishwasher last night. I’m not feeling so great this morning, but my COVID test (several co-workers were out last week with it) is negative so it’s probably something else other than that. I am feeling better at the moment, which is great, but man did I have some serious nausea there for awhile this morning. Sparky is trying to get something out from beneath the couch, like the sweet little apex predator he is, and I am hoping I feel better within the next few minutes. The shower will probably help, but I also need to shave–never a lot of fun under the best of circumstances1–so I need to be able to pay attention and be awake before I press a razor against my skin.

It was nice having a do-nothing weekend (untrue, I did some things) for the most part and also found myself thinking oh, so this is what it’s like to for people who do not have a second job and have their weekends and evenings free and it’s rather seductive, I have to say. It’s also nice to spend time with Paul again on the weekends, and that will always trump anything else I might have to do. Even as I sit here this morning, waiting to wake up and feel better before getting ready for work, I think to myself maybe it’s time to step away from the writing, or keep taking time off. I probably won’t have a book out this year, which is fine with me, actually. I write because I love to write, and sometimes it’s hard to find that joy when I’m writing now. But sometimes you do have to force it, even when it doesn’t feel organic or good or like you’re doing your best work, because if you wait for inspiration or when you “feel” like doing it, it would never get done.

In fact, the problem with do-nothing weekends are how seductive they are. Even now I find myself thinking oooh next weekend I can do nothing other than chores and errands and that is NOT a good thing by any means.

Obviously, I am more awake now (thank you, coffee!) and feeling better. I guess maybe it was just the getting up early again adjustment thing. I don’t know. But tonight I know there’s another load of laundry to do, clean dishes in the dishwasher to put away, and I need to get the mail on the way home from work. We’re in yet another heat advisory today, hurray, which will make driving around this afternoon unpleasant at first.

We wound up watching more Evil yesterday, which took a very interesting turn that I didn’t see coming, and now I am really interested in what’s going on in the continuing arc of the show. It also made me (again) think about how horror tropes inevitably always require an affirmation, not of Christianity but of Catholicism. Exorcisms, trappings of Catholicism are used against evil or vampires, and so on and so forth. Catholicism is the oldest form of Christianity, no matter what you think of that brand, and so it only makes sense that the legends and myths that come down through history use the signs and symbols of the Roman Catholic Faith–which I’ve always wondered about; wouldn’t Vlad Tepes, as a Transylvanian, have been Eastern Orthodox rather than Catholic? But the West never thinks about Eastern Orthodoxy, do we? Ah, Western bias–it IS a thing.

And on that note, I am going to get ready for work and head into the office. Have a lovely Monday, Constant Reader, and I’ll be back probably later. You know how I am.

  1. I would happily give up my ability to grow facial hair so I’d never have to shave again. It’s not like I can grow a beard in the first place. ↩︎

Come Go with Me

I’ve always enjoyed horror as a genre, both in film and in novels. One of the greatest joys of the last decade or so has been the rise of horror television, with terrific shows like American Horror Story (despite its many flaws), The Exorcist, Castle Rock, and so many others. I suppose even The Walking Dead sort of counts as a horror program.

I do not consider myself to be anything more than a horror fan, frankly; I am not an expert, I’ve not read (or watched) everything, I’ve never done any comprehensive studying of the genre. I don’t know what are tropes or stereotypes or what-may-have-you, unless they are so obvious it’s like being hit in the head with a baseball bat. The Haunting of Hill House is one of my favorite novels; Stephen King is one of my favorite writers; I could watch all four Scream movies a million times without ever getting bored or not being entertained–I even enjoyed the MTV television series called Scream, which had nothing to do with the films.

I know so little about the genre that I’m not even sure of the sub-genres contained within; I could write pages about the sub-genres in crime fiction, but horror? I’d be hard-pressed to even name them.

I’ve written two vampire novellas (“The Nightwatchers” and “Blood on the Moon”) and an entire gay erotic vampire novel (Need), and a ghost story novel (Lake Thirteen) and a monster novel (Sara), and I suppose Sorceress would be considered gothic horror–I certainly followed the blueprint for Gothic novels with that one, which was kind of the point. And while there are any number of horror short stories in the files, as well as aborted novels, I’ve never really had much luck in publishing horror. Crime is the genre I know best, and you should always, as they say, write what you know; I always fear my horror attempts are ridiculously derivative of Stephen King–but then again, steal from the best.

I also don’t have a much time to read as I would like, and as such, I tend to primarily read within the crime genre, branching out into horror only occasionally–writers like Bracken MacLeod, Paul Tremblay, Christopher Golden, Michael Rowe, and some others spring to mind–and the pile of unread horror in the TBR stacks continues to grow, it seems, by leaps and bounds every year as I never seem to get around to reading any of them.

But this year, as I’ve noted, I’ve made a conscious effort to read more diverse writers, and the end result of that has been me finding any number of terrific writers I might not have read had I not made an effort, had I allowed myself to continue with the ease of white privilege and simply reading other white writers.

I only regret not making the effort sooner.

certain dark things

Collecting garbage sharpens the senses. It allows us to notice what others do not see. Where most people would spy a pile of junk, the rag-and-bone man sees treasure: empty bottles that might be dragged to the recycling center, computer innards that can be reused, furniture in decent shape. The garbage collector is alert. After all, this is a profession.

Domingo was always looking for garbage and he was always looking at people. It was his hobby. The people were, not the garbage. He would walk around Mexico City in his long, yellow plastic jacket with its dozen pockets, head bobbed down, peeking up to stare at a random passerby.

Domingo tossed a bottle into a plastic bag, then paused to observe the patrons eating at a restaurant. He gazed at the maids as they rose with the dawn and purchased bread at the bakery. He saw the people with the shiny cars zoom by and the people without any cash jump onto the back of the bus, hanging with their nails and their grit to the metallic shell of the moving vehicle.

I’m not sure where I first heard of Silvia Moreno-Garcia; I am friends with members of the horror writing community on social media, and we have friends in common; so I am sure I heard of this book first from one of our mutual friends on Facebook (I have also purchased her next novel, Gods of Jade and Shadow). I decided, as always, to read horror in celebration of Halloween; alas, illness and being overly busy has limited my reading lately, and as such, outside of my annual reread of The Haunting of Hill House, the only horror I was able to squeeze into October was Certain Dark Things, and this is not, by any means, to be seen as any kind of judgment of Ms. Moreno-Garcia’s consummate skill as a storyteller; this has everything to do with me being tired, ill, and unable to focus as a result. Those moments when I was able to focus was when I was able to read this book; and it is, quite frankly, a pleasure and a treasure.

Certain Dark Things is set in a Mexico City that teems with ugliness, darkness, poverty and corruption. As I read the descriptions of the city, I couldn’t help but think damn I bet she could write some brilliant noir set in this version of Mexico City–like I said, my mind always reverts to crime fiction–but this Mexico City, this world Moreno-Garcia has created, is steeped in reality and actual Mexican history–of which I know some, but not nearly enough (my interest in history is colored by, sadly, the white supremacy of American educational systems; focused primarily on the United States and Europe, with some Egyptian thrown in for good measure).

Moreno-Garcia also throws everything anyone who’s ever read about vampires into question from the absolute beginning of the book: perhaps because of Stoker’s Dracula, and every film/television adaptation of some form of it ever since, I have a tendency to always think of vampires as being eastern European/Transylvanian in origin; almost every vampire novel or story I’ve read has been almost entirely white. I myself, when writing my own little vampire stories, fell victim to these same tropes (although I did have Creole witches, which upon new reflection is also kind of problematic). So Certain Dark Things also opened my mind; why would supernatural/paranormal creatures always be white? Are there no supernatural/paranormal creatures or beings from other, non-white cultures?

There are two main characters in the novel: Atl, the female vampire, descended from a long line of vampires going back to Aztec days (and not your typical, Transylvanian vampire, either), and Domingo, a poor young man of the streets who sorts through garbage looking for things to sell to support himself. In this world, there is, like in Charlaine Harris’ Sookie Stackhouse novels, an awareness that vampires and other creatures like them exist; so Domingo isn’t as terrified when he encounters Atl as he might be, were their reality still in question. Domingo is drawn to Atl, wants to help her and be with her, but it’s not in a romantic way, nor is it a product of being “glamoured” (as Harris called it in her work), either; it’s more along the lines of Atl being the first person to truly see Domingo, and appreciate him, and recognize his humanity despite being of the streets.

And that’s very powerful.

Atl herself is on the run. In this new world Moreno-Garcia has created, Mexico City is an independent city-state where vampires aren’t permitted; she has run there after the annihilation of her clan of vampires in north Mexico. She is on the run and needs to get out of Mexico completely; she has run to the city to hide and to try to find the means to get out of the country. There are many different kinds of vampires in this world; with different abilities and different powers.

There’s a third character, Ana Aguirre, a single mother who works as a police detective in the city, dealing with corruption and sexism every single day, not taken seriously by her superiors, and trying to do whatever she can to ensure a good future for her daughter. Ana is also a strong character, defined and complex; her inner struggle over her own integrity warring with what is the best thing to do for her daughter is masterfully described, and very relatable.

I’d read an entire series about Ana Aguirre in this world, frankly.

Moreno-Garcia doesn’t over-explain this world, either; but somehow, with sparsity of description and a minimal approach to the past few decades that changed the world as we now know it, she manages to create an entire world that is completely believable and easy to become immersed in. The story moves quickly, the characters growing more depth from each experience they have, and it’s all too soon over.

I would love to read more books about Atl and her world; I’d love to read more of Moreno-Garcia’s work.

This is a truly terrific work. I highly recommend it.