Never Give You Up

As I get deeper into the outlining of the manuscript I am working on–yes, I am outlining it after writing it, which only makes sense in Bizarro World, but welcome to Greg’s Wonderful World of Writing–I am very pleased with what I managed to accomplish in this first draft. I touched on a lot of issues and themes that are important to me, and it’s not nearly as repetitive as I feared it might be. The trick is going to be the winnowing down; it currently sits at 97,000 words and needs at least three more chapters to get to the resolution and be finished. Even if those are only three thousand words or so, a young adult manuscript of 106,000 is probably way too long. I also think I managed to accomplish what I wanted to accomplish with it, even though it’s technically not finished. There is, apparently, something to be said about writing a manuscript you are really passionate about without the pressure of a deadline. All in all, from the moment I started writing the first chapter to when I realized I’d written it too long and the original end I’d planned would require another three chapters–or I’d really have to rush it all to get it all done in one more–was a total of forty-five days, and I didn’t write every one of those forty-five days. I think the actual writing days were at most thirty, and may have been as few as twenty-five.

I am actually dreading getting to those last few chapters I’ve written, to be honest.

Another thing I am doing is making a list of every character named in the book as I go–I’ve already discovered multiple character name changes–and another thing I am going to do is really get into the characters’ lives and histories by writing biographies of them, putting all the things I know in my head about them down onto paper and filling in the gaps. I’m amazed at how many characters there are–some of them are really only seen or mentioned in passing–and there are some things I really want to hit harder that I just seemed to lightly pass over as I wrote the first draft. But there aren’t a lot of mistakes, no awkward sentences, no bad paragraphs, and most of the dialogue works.

If you couldn’t tell, Constant Reader, one Gregalicious is quite pleased with himself and this manuscript.

I’ve also decided to NOT take the detour on Chef Menteur Highway on my way to Montgomery, and think I might do that on my way to Oxford on Monday instead. The drive to Montgomery is more time sensitive–there’s an author party I should go to on Friday night, and the event in Oxford is on Tuesday, so it doesn’t really matter what time I get there, so why not do it when I am not going to be pressed for time? It only makes sense. And I am also really pleased with how “Quiet Desperation” is coming along in its rewrite.

Wow. Who am I, and what have I done with myself? I think the affirmations are helping, seriously.

We got through two more episodes of Thirteen Reasons Why last night, and I have to say, I am becoming rather a fan of Ross Butler. He was simply stellar in the episode about Zach’s tape, and I was already aware of him from playing Reggie Mantle on Riverdale, and that casting was pretty bad-ass: a role traditionally Caucasian being played by an Asian-American actor (yet another reason to love Riverdale is its diverse casting choices). Ross is also easy on the eyes:

ross butler tank

See what I mean? And now, back to the spice mines.

Just Dance

I’ve always been amused that Valentine’s Day and venereal disease share the same initials. Granted, it’s really SAINT Valentine’s Day, but still–look up the story of St. Valentine for yourself.

Now THERE’S some romance, right? Not exactly a Nicholas Sparks novel there, is it?

We’re still watching–and enjoying–Santa Clarita Diet, which becomes more and more clever with each episode, as is Riverdale–it was really fun seeing Betty go to the dark side last week, and I hope it’s foreshadowing of future story for her. I’m also still reading Lori Rader-Day’s Little Pretty Things; I just hate that I’m so tired when I get home from work every night that I can only read a little bit.

As for the writing, this morning I completed edits on a short story I’ve sold and turned them back in to the editor. I am very pleased to be a part of this book, but I don’t have permission to discuss it publicly yet; but I will say my story is called “Lightning Bugs in a Jar” and it’s one I am very proud of. Constant Reader knows how hard short stories are for me to write, so every time I sell one it’s a victory.

As far as the writing goes, I started outlining two books this week; just to see where they go and if they are, indeed, something I want to write. One would be the first in a potential cozy mystery series (under a pseudonym, of course) and the other is a stand alone called I Know Who You Are. I am more interested in the stand alone at the moment, to be honest–but once I get these two outlines finished I am going to go on to outline two more I have ideas for–and yes, one of them is the Colin stand-alone I’ve been talking about forever.

And now, back to the spice mines.

Fernando

A chilly morning in New Orleans. It’s been in the fifties the last few days, but no worries, Constant Reader: the new car has an astonishingly powerful heater (something I am also not used to) and I no longer have any fears about my drive to the Frigid Territories North of I-10 anymore. (The Buick’s heater was erratic; which was fine for New Orleans–not so much for anywhere north of I-10.) Today I have some errands to run, and then I am going to try to get that essay finished in draft form today so I can edit it tomorrow. I also want to finish reading my Pelecanos novel; I am not taking it with me to Kentucky so if I don’t finish it this weekend I most likely never will. I’ll also probably finish reading Gore Vidal’s Empire today or tomorrow; I only have one chapter left so I may take it to the easy chair with me to finish today so I can start reading something new–non-fiction, most likely–in the bathroom.

Today, though, I am going to talk about the new CW show, Riverdale, which debuted this past week.

I will admit I went into the show wanting to like it. I grew up with Archie comics; despite the sweet nostalgia the comics had–they were really throwbacks to an imaginary 1950’s kind of teen life that never really existed in truth, the same kind of imaginary world created by shows like Leave It to Beaver and The Andy Griffith Show; worlds that never existed yet people always feel nostalgia for (which is a topic for another time). I won’t deny that as a kid I kind of thought being a teenager was going to be like an Archie comic book, and was vastly disappointed when it wasn’t. When the comic books went through a sort of ‘reboot’ (a term I am really tired of, frankly, but in this case it actually fits) a few years back and made news, I downloaded some of the new comics to my iPad, and was pleasantly surprised with the update.

I won’t recap or rehash how the company reinvented itself and made itself actually topical and modern and fresh and expanded its audience; there are plenty of articles out there about this and everyone can access Google, plus I would just be rehashing the information and might get some things wrong. But it’s a world with which I am very familiar–Archie, Betty and Veronica, Jughead, Hot Dog, Dilton Doiley, Reggie, Big Moose and Midge, Big Ethel, Miss Grundy, Principal Weatherbee, Pop Tate–and they also added a gay character several years ago, Kevin Keller (I bought the mini-series he featured in)–which would have been not only unimaginable as a kid but would have made an enormous difference in my life. So, I was kind of interested when I heard that Greg Berlanti (responsible for the DC television universe, and did a great job) was developing a TV show based on Archie called Riverdale, which would feature all the known elements of the comic books, give them a modern twist, and also make it dark and brooding; Archie meets Twin Peaks, is what it was described as. (I did watch Twin Peaks, and loved Season One; it lost me about an episode or two into Season 2.)

But I was also afraid it would be awful; just as I was afraid Arrow and The Flash would be. I am very happy to report that it was, in fact, not awful.

All the old elements of Archie are there: Pop Tate’s Choklit Shop; Betty’s unrequited passion for Archie, who only sees her as his best friend; Archie and his music; Josie and the Pussycats are even there. The script was flipped a bit in having Veronica no longer wealthy AND new in town; her father has been jailed for embezzlement and fraud, and she and her mother–originally from Riverdale–have returned to escape the glare.

But the show is structured with a noirish sensibility; the way the show is shot is absolutely gorgeous, and the bright colors also give it a comic book like feel at the same time. There is a murder mystery at the heart of the story; who killed Jason Blossom? And everyone in Riverdale seems to have had a reason to kill him, or is hiding something. It’s very soapy, yet very well done.

But, for me, the strongest part of the show is the appeal of the young cast–the older characters aren’t as well developed, but I’ll give that time. A. J. Apa is appealing enough, and of course, he is very nice looking; really, that’s all that’s required of Archie: good guy, kind of bland and a bit oblivious to everything around him, appealing. Archie never had abs before, though.

It’s extremely well cast; all of the young actors are appealing, the dialogue is snappy and clever (Veronica gets the best lines and I think is going to be the breakout character/star), and it was also fun to see former teen idol (and star of Beverly Hills 90210) Luke Perry as Archie’s father; in a nod to Twin Peaks, Madchen Amick is cast as Betty’s mother.

Usually, pilots have weaknesses that are corrected in the series; I detected none in Riverdale, and I was immediately caught up in the story. I liked it a lot, and am looking forward to continuing to watch.