Don’t You (Forget About Me)

I hit the wall yesterday during Iris. I came back home to rest for a bit before Tucks arrived, and was so exhausted from everything that I decided that it was wiser to just stay in the house and rest, otherwise there was no way I’d make it to any of today’s parades. There are four today; Okeanos, Mid-City, Thoth, and Bacchus. I usually make Okeanos and Mid-city; but am too tired for Thoth and Bacchus. I’ve never seen Thoth; we used to go to the Quarter in the afternoon on Sundays, and then I worked outreach during Thoth. The last few years I’ve not done outreach on Sundays I’ve been too tired; and I don’t think I’ve seen Bacchus since Drew Brees reigned. I’m going to give it my best shot today.

The rain held off yesterday until Endymion; I was ensconced in my easy chair streaming Spiderman Homecoming when the thunderstorm arrived and it was a beaut. The thunder was so loud and long the house shook; and the downpours so intense that there was some street flooding (nothing major, like in August; but still it sucked for both the Endymion riders and the folks out there watching).

I also watched, in my ongoing quest to rewatch as many of the disaster movies of the 1970’s as possible, Earthquake, which was, without a doubt, one of the worst movies ever made. The whole point of the disaster formula was to see how people–character archetypes, really–placed in extraordinary circumstances having to experience physical difficulties and hardships and emotional distress, to see if they can overcome this and survive; and at the end, some do: the damaged plane lands safely, the fire is put out, they get off the sinking ship. But by it’s very nature, making a film about an earthquake doesn’t end with the characters getting to safety; therefore there is no way to end the film on a satisfying note for the viewers. So, Earthquake merely ends with the camera pulling away from the characters who’ve just escaped the flooding tunnel, showing a ever expanding view of the ruins of Los Angeles, where many fires are still burning; a most unsatisfying end to the film. But it’s not like we cared about any of the characters in the first place, particularly the main character, played woodenly by Charlton Heston. Heston was never the best of actors to begin with; his idea of acting was over-acting under the best of circumstances and at worst, woodenly reading his lines with absolutely no emotion whatsoever. The casting choices made for the movie were also curious; Lorne Greene was playing Ava Gardner’s father and Heston’s father-in-law, despite being only seven years older than the former and eight years older than the latter; his current love interest was played by Genevieve Bujold, who was only thirty. I’m a fan of Gardner, to be honest, but she’s terrible in this film. Everyone is terrible in this film, from the afore-mentioned stars to the rest of the cast, which includes Richard Roundtree, George Kennedy, Victoria Principal, and Marjoe Gortner. Even by 70’s standards, the special effects are particularly bad; and there really isn’t a cohesive story for any of the characters, so the actors have no center for their performances. It was just an attempt to cash in on the success of the Airport movies and the disaster movie craze of the time; with the end result that it’s a terrible, terrible film.

Spiderman Homecoming, however, is just as charming on a second viewing as it was on the first; and Tom Holland is so appealing, as are all of the diverse young actors who play his friends, or frenemies, at his high school. Michael Keaton makes a great bad guy, and the guest appearances by the other Marvel heroes–Iron Man and Captain America–successfully weave the character of Spiderman into the Marvel/Avengers universe. Also, by not  making it an origin story–we already see Peter with his powers, his uncle is already dead–and instead making it about him trying to adapt to his powers while juggling his life as a high school teenager, made it a much stronger film. Well done, Marvel.

After that, we watched the Olympics. I also did some reading, getting back to the Short Story Project, and then I slept deeply and well; I even allowed myself to sleep in, and this morning other than some slight aches in my lower back I feel terrific. Okeanos starts in fifteen minutes; I am not sure which parades I’ll be watching today. There’s rain again in the forecast, and this morning the windows are covered with condensation, just like yesterday. It does seem bright out there, but there’s an awful lot of cloud cover as well. Paul is still sleeping, so there’s that as well. 😉 I don’t like waking him up on the weekends, and besides, Okeanos won’t be here for another hour at least. Iris kept stalling yesterday; despite moving up an hour it still wasn’t finished passing here until almost one thirty.

I don’t have to work tomorrow; Paul’s going into the office for a bit, so I will most likely make a grocery run in the morning and try to get some work done around here as well. I need to get back to work on everything; just because everything in New Orleans comes to a screeching halt for Carnival, we sometimes forget that the rest of the world does not.

Ah, well. And I need to clean the kitchen again; I’m hoping to cook out today, should the weather hold.

Here’s a hunk for your Sunday:

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We’ve Got the Beat

Staring down a twelve-hour day at the office today, rather grimly. Actually, it’s eight hours of testing at the office, and then three hours bar testing tonight, but I get a very short day tomorrow as a result and hopefully, I won’t be dead tired by the time I get home tonight. I slept in again this morning; would be perfectly happy to continue sleeping, quite frankly; so sleeping in tomorrow morning is actually going to be rather lovely. For some reason, though, my days are messed up this week; I kept thinking yesterday was Thursday, for example, and so am still a bit disoriented this morning about the days of the week.

Clearly, I am getting old.

As I continue to work on “A Holler Full of Kudzu” I am constantly second-guessing myself; I’ve written about the world/area where the story is set before, and I am worried, of course, that I am repeating myself with it. This morning I decided to just forge forward and stop worrying about it; that’s what edits/revisions/rewrites are for, after all. Part of the reason I’ve been so drawn to Southern Gothic fiction lately has been because not only because I am Southern but because I’ve so rarely used that personal history to write. As I have said before, two of my favorite short stories that I’ve written are “Small-town Boy” and the as-yet-unpublished “Whim of the Wind”; recently I’ve been thinking about that Civil War ghost story I’ve been thinking about writing for thirty years–which is also set in the same area (fictional Corinth County, Alabama, which I briefly touched on in Dark Tide–it’s where my main character is from originally–and again in Going Down for the Count–again, where the main character is from originally); and the more Southern Gothic fiction I read, the more I want to write that book. “A Holler Full of Kudzu” is also set in that area; and I am more than a little concerned that the story might wind up too derivative of “Small-town Boy”; but I will, as mentioned before, deal with that in the rewrites.

I also watched Captain America Civil War yesterday, since it marked the debut of Tom Holland as Spiderman. (And yes, I have become a huge fan of young Mr. Holland, but not in a creepy old-man pervy way. I just think he’s adorably cute.) I mean, the movie was okay, but Holland was definitely the highlight of the movie for me. I’ve not seen Captain America The Winter Soldier, so I obviously missed some plot points that probably would have helped the viewing experience somewhat; but it wasn’t that hard to figure out. I am, however, tempted to go back and watch it; I do love Chris Evans, but there are just so many Marvel films now that it’s a huge time commitment to get caught up on them all–and much as I love Chris Hemsworth, the first Thor movie was kind of boring.

All right, Constant Reader, ’tis back to the spice mines with me. Here’s a shot of Chris Evans, without a shirt, to help you through your Hump Day.

chris-evan-shirtless