Tag: flacks

The Boss

Work at home Friday! I didn’t have to go into the office today after all; the person I was covering for didn’t need me to cover for them after all, so I get to drink my own coffee and do some of my work-at-home chores in my pajamas–including my team meeting. Yay! Yesterday was a gray, rainy day, the kind that is also cold so you get that lovely cold dampness that goes right through you to the bone. I ran my errands on the way home, and I don’t have to leave the house at all today unless I so choose–and I am rather leaning towards choosing no definitively already. I woke up the remnants of a thunderstorm; everything outside my windows is wet and dripping. Yeah, definitely not leaving the house today if I don’t absolutely have to–I can run errands and make groceries tomorrow. I am going to do some chores this morning when I need a break from the computer–dishes, laundry, picking up, etc.–but thanks to the midweek weekend we enjoyed because of the holiday, I am not as far behind on housework as I usually am. Sparky let me sleep late this morning, and was a little cuddlebug before I did get up. It’s not even about getting more sleep anymore, it’s more along the lines of way too comfortable for me to get up. Paul was at the gym when I got home from doing some minor errands after work last night, and then after he came home he went upstairs to work for the evening, leaving me and Sparky to entertain ourselves downstairs, which is why I did some picking up and cleaning last night. Looking around this morning, I can honestly wonder why I didn’t do more last night. Hmmm.

I worked a bit on a Substack essay last night, too; the one I worked the most on is about outing and speculating about celebrity sexuality. Many of the essay drafts I have saved on Substack were triggered initially by something that happened in the world; this one “”Johnny Are You Queer?” was inspired by Shawn Mendes having to address all the rumors and speculation about his sexuality, and how that made me feel. It was the second time a celebrity had to do this recently, the other being Kit Conner from Heartstopper. Both instances made me look at the subject in an entirely new (and more empathetic) light, which was frighteningly staggering; I thought how could I ever speculate about a celebrity’s sexuality, when I personally know what it feels like to have people speculate about you that way–and I was never a good-looking hot young celebrity, either, which would be exponentially worse. This led me to how “outing” originally started; it was a political act of protest from a community that was dying and no one cared, and a way to strike at closet cases who were actively harming the queer community (remember anti-gay Aaron Schock and his Downtown Abbey congressional office? He’s now an A-Gay living on the party circuit, and much happier than when he was a closeted anti-gay politician. I’d say that worked out pretty well for him in the long run, wouldn’t you?). Outing eventually got out of control and more of a tabloid monster, far from its original intent, but I’m also thinking about privacy rights now a lot more than I ever did when I was younger–which I am trying to explore in more detail in the essay. I am also writing one about organized Christianity, but it keeps getting longer with more examples because cosplay Christians are always going to cosplay with their full chests while denying Christ with every breath they take.

I generally don’t pay too much attention to celebrity drama, mainly because I don’t care that much about celebrities; as I’ve gotten older, I care less about entertainment news and the celebrity gossip machine. I remember the Blake Lively thing from last summer when that movie was released, and how she was getting a lot of press for being, well, a difficult bitch on set. I did think it was strange–I generally can’t avoid celebrity gossip, despite trying very hard because it’s fucking everywhere–that if she was that awful, why were all her co-stars and everyone else involved with the movie backing her? Now, I’ve thought Justin Baldoni was hot since his days on Jane the Virgin, and I even bought his book about being a male feminist; because I’ve really been thinking about masculinity and what it means to be a man, which is what the book is about. I’ve not read the book–I still might, just to see what it says; even if he’s a hypocrite, that doesn’t necessarily mean he doesn’t have a point about some things–but of course the story exploded everywhere again on Christmas Eve when Lively sued Baldoni, claiming he hired a PR team to destroy Lively’s reputation so her concerns about inappropriate behavior on set by Baldoni wouldn’t be taken seriously–and she has receipts. Celebrity fan culture in this country really is something, and it really is out of control; I don’t know why so many people think being a fan of an artist entitles them to know everything about that artist (see above paragraph about speculating about celebrity sexuality), not to mention the horrors of being a celebrity on social media. Yikes, indeed. All I will say is that Hollywood has always had fixers; the only difference is that now they are guns for hire rather than salaried studio employees. Jordan Harper’s Everybody Knows explores the horrible world of Hollywood PR and what they cover up, and how they spin damage away from their client to someone else, even if that someone else’s life or career is destroyed by the spin. (Read Jordan’s book, seriously.) There’s a decent show on Prime starring Anna Paquin in which she plays a spin-doctor-for-hire, Flacks.

It’s also why no one can ever completely trust celebrity news; it’s literally the prime example of fake news.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader. I may be back later, one never knows. If not, though, I will definitely be back in the morning tomorrow.

Yea, he’s handsome and has an exceptional build, but Zac Efron is more talented than he gets credit for.

Hell is for Children

Hollywood has always been interesting to me, ever since I was a kid. I am not as obsessed with Hollywood and celebrity culture as I used to be; I used to love awards shows but now find them kind of tedious and a lot of to-do about nothing very much. Paul and I used to watch any and every awards show, regardless of what they were for; now it’s just easier to follow live updates and skip the forced, awkward scripted banter and speeches where winners attempt to thank everyone they know before the band starts playing them off.1 That’s always cringey to me–not for the person the band is playing for, but for the event itself. I get that they want it to end on time, but at the same time it seems bad form to celebrate someone and then cut them off as they do celebrate? Your mileage, as they say, may vary.

One thing I did notice when my Hollywood fascination was at its peak was how cleaned up and sanitized Hollywood bios were, as opposed to the fiction written about Hollywood. You’d never know, for example, from reading a biography of Spencer Tracy that he wasn’t just “good friends” with Katharine Hepburn, or that Roddy McDowell never married for a reason, or that some stars may have been forced to have sex with casting directors, agents, and producers to get started. But those marvelous Hollywood novels (dismissed and disdained by critics as trash) were so much fun to read, and they always ended in tragedy. I also always wondered–affairs and divorces were also fairly common amongst Hollywood celebrities–how much truth there was in those stories; often I could identify characters as real people (for some books–cough Valley of the Dolls cough–trying to figure out who the characters were based on was part of the fun of reading them). And of course, the existence of “studio fixers”–yeah, there’s still a bunch of stories from Hollywood’s past we may never know the real story behind, let alone the stuff they buried so completely it’ll never be known–definitely speaks to the need for them, so yeah, Hollywood had a lot of secrets.

And now, knowing what I know about powerful Hollywood figures and how they behave? I’d be more surprised if they didn’t see the contract players as a harem of men and women for them to play games with.

I also have a tendency to avoid highly praised writers and books (and other forms of entertainment, of course), because I always end up disappointed, which is fault of neither author nor their work. Jordan Harper has been praised a lot, so I was hesitant to read him…but having now read Everybody Knows, I don’t regret waiting to read it because I saved a real treat for myself.

For want of a better word, wow.

Los Angeles burns.

Some sicko is torching homeless camps. Tonight they hit a tent city in Los Feliz near the 5. The fire spread to Griffin Park. The smoke makes the sunset unbelievable. The particles in the air slash the light, shift it red. They make the sky a neon wound.

Mae waits outside the secret entrance to the Chateau Marmont. She watches Saturday-night tourists wander Sunset Boulevard, their eyes bloodshot from the smoke. They cough and trade looks. They never thought the Sunset Strip would smell like a campfire.

Mae moves around the sidewalk like a boxer before the fight. Her face is sharp and bookish, framed in a Lulu bob. She wears a vintage floral jumpsuit. She’s got eyes like a wolf on the hunt–she hides them behind chunky oversized glasses. Nobody ever sees her coming.

Jordan Harper is an amazing writer. That’s where we need to start with this book. Yes, the story is compelling and fascinating and dirty and sleazy and makes you kind of want to take a Silkwood shower. The characters–all of them, from the two leads on–are defined and fully dimensional, with interior lives and motivations. Our two main characters, Mae and Chris, are modern-day fixers…but in modern times they’re called “flacks” and work for “p.r. firms”, even if their job is the same as the tough guys who worked for MGM and Warners and Fox back in the day. But the writing is what sold me on book and writer; those opening paragraphs are as fine a series of opening paragraphs I’ve ever read. The dialogue is real, the characters are awful but you understand why they are awful–and both Mae and Chris have seen their fair share of horrific cover-ups and helping their clients get off scot-free every time they get in over their heads. In the very first chapter, Mae is on the job helping a young former child actress transitioning into adult roles out of drug overdose situation in her rooms at the Marmont, and her quick thinking and moving gets the young woman out of there without being seen or caught.

Mae is very good at her job.

Her boss sets up a meeting with her–off the books, away from the office–but on his way to meet her, he is murdered. It’s supposedly a car-jacking go wrong, but Mae has to wonder, is it? He’d seemed like he was about to hit a financial bonanza, but needed her help. Mae decides to look into his murder–which Chris winds up working as well from another direction. Mae and Chris didn’t work out the first time–but they’ve never forgotten each other, and soon join forces. Both were coming to the conclusion that their jobs were sleazy and they were helping bad people get away with doing bad things, and when they realize what is at the root of all the trouble, they see it as an opportunity to make some cash and perhaps do a little good on their way out to retirement.

And what’s going on in Hollywood is something horrible, indeed.

I loved this book, and deeply resented not having the time to read it all the way through in one sitting, so am really glad I made the time to sit down and finish it–in one sitting. I was about forty or fifty pages in, and sat down and didn’t budge till it was done. That authorial voice! The influence of the hardboiled masters is clearly there, but Harper has his own distinctive style and authorial voice that makes him unique in the business–and that’s not an easy thing to do.

I can’t wait to read more of his work.

  1. I do think this aversion, or lack of interest, in awards shows has come from attending so many writing awards banquets, and yes, it’s a lovely problem to have. At some point I will go talk about my antipathy to awards…but must and always will confess to loving being nominated for things. My jones for that itch to be scratched has happened more than I could have ever dreamed. ↩︎