Substitute for Love

Friday morning work at home day, with a trip to Costco on the horizon for later. I feel good and rested this morning, despite the fact Sparky tried to get me up around four in the morning for some reason. I did wake up, gave him a look, and went back to sleep while he cuddled with me, which was lovely. I was physically tired when I got home from work last night, so didn’t do much of anything other than writing. I did managed to get a (very) rough draft of that pesky chapter–which still needs some work–which has kind of log-jammed me these past few weeks. My goal for tomorrow is to edit everything I have done so far, preparatory to moving on to the next chapter and reacquainting myself with the characters, the voice, and the story. Woo-hoo! There are also a lot of great football games tomorrow, capping off with the one-two punch night games of Florida-Auburn and LSU-Mississippi.

The amazing thing to me about this Ed Sheeran thing is that it keeps going, and every day and hour it continues to go on the worse he looks. That’s what happens eventually when you’re more interested in being inoffensive–you wind up offending everyone. The fact that so many people he’s friendly with (and works with) are in the Epstein files kind of shows how morally and ethically compromised he is. When I was watching the news last night, I saw someone–I don’t remember who–talking about how entertainers, like Sheeran, are the modern day version of “bread and circuses” from the old Roman Empire (first time I have thought about the Roman Empire in days, if not weeks, for those keeping track–entertaining the populace and keeping our minds off everything else going on in the world. They keep us distracted (look at social media sometimes; it’s why there’s so much celebrity worship) so we will spend money and not see what the Epstein Class has done (and continues doing) to the world and society. Ed Sheeran got very rich doing his part to entertain and not talk about anything substantial (although the white children of Ukraine got him to be political)–he even says it in his pitiful “it’s not my fault” Pilate handwashing statement (“I want to provide a space for love and peace and escape”)…that’s very telling–and it’s hard to look at any of this and think Sheeran has any values, has any compassion or empathy or is, at heart, a decent person. He fucked over a friend at the bidding of a billionaire, has tried to deflect his part in this from day one, taken no responsibility for anything, and shows that he stands for nothing but the Epstein class he continues to make money for.

Does that sound like someone we should support? Christ, Ireland hates him now.

This entire situation is a classic example of what is fucking wrong with this country: a billionaire who diddled kids got his widdle fee-fees hurt, and he stamped his foot in anger and demanded he get his way, and he got it. They are above the law, an unelected and unchosen ruling class no different from the old British aristocracy, entitled fools with too much money who didn’t give a fuck about anyone other than themselves, while people went hungry and sick and died while they gambled away small fortunes at night while too drunk to see.

And the fact that both Sheeran and Robert Kraft are too privileged to shut up and stop digging their own graves just adds fuel to the fire. Sheeran went along with the silencing and suppression of a voice because it upset a billionaire.

That tells me everything I need to know about the Gingerdoodle.

And that’s it on this subject1–I’ve given too much time and energy to this nonsense already, but this naked abuse of money and power is infuriating to me, and always will be.

Ah, the coffee is now kicking in. I want to get another newsletter finished this weekend, clean out my email inbox, and of course, work on the book some more after I get my work duties done today. Costco and the other errands will undoubtedly wear me out, so I won’t do much tonight when I get home from all of that, other than finishing the laundry which I am starting this morning. I know the new season of The Traitors dropped its first episode last night, and there’s something else starting up again that I like watching, but can’t think of it right now. I also want to read a bit this weekend–which reminds me! The other day I mentioned a copy of The Miracle at St. Bruno’s, and I said there would be more later…and forgot.

The Miracle at St. Bruno’s is a historical Gothic set during the turbulent reign of Henry VIII and the great divorce–and how what was going on at court politically affected those every day citizens who had no control over the ever-changing legality of, well, everything. The Tudors were my real entryway into world history (or rather, modern European history) because Henry VIII was such a fascinating monster. I read a lot of Tudor biographies, but the only historical fiction I had read up to that point was mostly fictionalized biographies–history as entertainment–of royal Tudors. I even read a biography of Lady Margaret Douglas, one of the lesser known but crucial pieces of the Tudor body politic and the very thin line of succession that Tudor sterility caused. Philippa Carr was the by-line on the book, but it was another psuedonym of Eleanor Hibbert, a British writer who also published under the names Victoria Holt and Jean Plaidy. It was vastly different from another other Gothic I’d read, taking place over the course of about thirty to forty years, with the turbulent reigns of successive Tudor vastly differentiating in their religion and policy. It was also the first in a series called Daughters of England, because she wrote about the main character in Miracle’s sequel–each new book a new Gothic romance featuring the daughter of the previous book’s main character–and history and politics are also driving forces in those books as well. I may start a reread this weekend; I need to get back to reading fiction again.

And on that note, I am heading into the spice mines for the day. Have a lovely Friday, everyone, and I’ll be back tomorrow morning.

Live oak stumps always fascinate and sadden me. The size is impressive, and they are beautiful to look at…but the sadness is from the tree being cut down. Our live oaks are so beautiful here in New Orleans, and we’ve lost so many in the thirty years we’ve lived here.
  1. I do love watching people reap what they’ve sown, you know? ↩︎