Vacation

Vacation was the name of the Go-Go’s second album, and also the first single from the record. The video was instantly iconic; even despite the really bad attempt to convince the viewer that the Go-Go’s were actually doing the water-skiing as the chorus played. But the cheesiness of the blue screen effect actually helped make the video even more fun; and the song was definitely impossible to not sing along to, or dance to, whenever the deejay played it. I always cranked it when it came on the radio.

Vacation was my least favorite of the three original albums, though; outside of the title song, I don’t even remember any of the other songs from the album without having to look them up. My tastes were also kind of evolving at the time; MTV was changing the music industry and exposing Americans to new kinds of music.  The Go-Go’s went on hiatus after this record, due to Gina Schock’s heart condition and a health issue for Charlotte Caffey…and I thought they were kind of done…until they came roaring back with Talk Show a few years later.

Anyway, the next story up in Murder-a-Go-Go’s is S. W. Lauden’s take on “Vacation.”

cover-west-murder-go-gos-front

The alarm is wailing again, just like every other morning. I was already awake when it started, flipping through this notebook to remember what I wrote last night. I must have been exhausted because I only filled three pages. My handwriting looks like the work of a lunatic toddler, so messy in some places that I can’t figure out what it says. Safe to say the pills they force down my throat are screwing with me. But I have to admit the voices are quieter—not gone, but not screaming, either. Not like that goddamned alarm. That beep-beep-beeping makes me want to murder somebody.

My roomie just hit the snooze button, delaying the inevitable. It’s amazing how some people can go right back to sleep, even when they know the attendants are coming to herd us off. I don’t think we’ve said more than a few words to each other since I came in, which is fine. Nobody talks to me much in this place, not unless it’s their job. I’d be surprised if half the bullshit I spew to my doctor is true.

These pages are the only place where I can be totally honest because I’m the only one who knows they exist for now. Those fuckers wish they could bore their way into my private thoughts, but I’m too smart for them. The words I write in here are for our eyes only. I can’t wait to share them with you, but that has to wait until I earn my mail privileges back.

Speaking of the fuckers, here they are now. Time to hide you away until after lunch. Right now, I have to go see a specialist they brought in just for me. Should I feel special? I already met with him yesterday, one of the worst hours of my life. My regular doctor was there too, but she didn’t say a word to me after “hello.” Just leaned over to whisper in the specialist’s ear every once in a while. He’s an asshole, but it’s nice to have somebody else I can lie to for a change.

I don’t know if I’ve ever met S. W. Lauden in person; it’s entirely possible, given how many drunken nights at Bouchercons I’ve experienced over the last six years. I have a sinking suspicion I may have met him on the now notorious Low-and-Slow Saturday in St. Petersburg, but I cannot be held responsible for any gaps in my memory that occurred that day.

But this story is terrific; it subverts itself over and over again, and while the trope of the unreliable narrator might be getting a bit overdone in crime fiction, the way Lauden toys with the trope to keep his readers on the edge of their seat, reading on and on with an eyebrow raised as they try to grasp what is real and what isn’t, is quite masterful.

Adding Lauden to my must-read-more list!

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