Seven Bridges Road

And now we come to the last (so far) Chanse novel, lucky number seven.

Took me awhile to get here, didn’t it? But it also took me awhile to get around to writing the seventh Chanse book. I worried a lot about this series as it developed–mainly because my original plan had derailed, and I never really sat down and mapped out the rest of the series with the new calibrations, so I was flying by the seat of my pants for the last two books, and in retrospect that sense that the series was going stale was a direct result of that fly by the seat of my pants style, which never worked for Chanse. So, essentially I’d forgotten how to write the series, and so…when I was running into problems with the seventh, it was easy enough to believe I was out of story for him and the series itself was becoming repetitive and stale. I’ve come up with more story for him since then–I’ve written a Chanse short story and started a novella, and had an idea for another entire book, so maybe I will revisit Chanse again in the next few years?

I had always thought of the series as lasting for seven novels, and when I sat down to come up with ideas for the seventh book, I started thinking about ending the series. The Chanse series, as you may have noticed once you’ve read these entries, almost ended every single time I published one–and by this time I felt like I was running out of ideas for him, and felt like I was writing by the numbers; following the same story beats and patterns I had already established in earlier books rather than pushing myself. I also worried that if I kept writing something I felt was getting stale, the book quality would also start to slip. I never wanted to be one of those authors who just keep writing the same old series long past its expiration date. Yes, they always sold well and yes, the income was nice…but…-and I began thinking that I may need to end the series before the readers began to notice the stories were starting to fall into a recognizable pattern; certainly the stories were beginning to have the same beats repeated, over and over. I wasn’t happy to not write another Chanse book, after all; Chanse really launched my publishing career and the series was very good to me over the years–but I felt it was the right decision for the time.

The electronic gate began rolling to the left with a loud clamor.

I closed the driver’s side window of my “billet silver” Jeep Cherokee, shivering. I turned the heater back up to high. I was cold even though I was wearing my black trench coat and a black knit Saints cap. It was in the low thirties. The sky was gray and covered with clouds, the air the kind of chilly damp that goes right to your joints. Last night there had been a freeze warning for all of southeastern Louisiana, so I’d had to turn all my faucets on to a trickle all night to keep the exposed pipes under my house from freezing. The grass on either side of the paved driveway had turned brown, and in the rearview mirror I could see the grass on the levee on the other side of the road behind me had as well.

This cold snap had every New Orleans weathercaster worked up into the kind of energetic, wide-eyed frenzy they usually reserved for hurricane season. The possibility of snow either tonight or sometime tomorrow had them practically drooling. The one currently breathlessly going on and on about how we all needed to bring inside all pants and pets inside before sunset was getting on my nerves, so I turned the radio off. It had snowed maybe three times in all my years of living in New Orleans. Those rare, occasional snowstorms always brought the city to its knees. Businesses closed, people holed up in their homes afraid to drive anywhere, and nothing got done.

I drummed my fingers on the steering wheel as the gate lumbered open slowly. My lower back was starting to ache, which wasn’t a good sign. I pressed the button on the steering wheel thatcontrolled the heater in the driver’s seat. Heat always seemed to help with the pain, but taking a pain pill wasn’t an option. Not if I wanted my brain to be functional when meeting a pair of prospective new clients, anyway.

Finakky, the gate was open wide enough for me to drive through, and I pushed the gas pedal down.

With the big metal gate open, I could see the house. In spite of myself I gasped. I’d seen Belle Riviere depicted many times on postcards, but the reality took my breath away.

The Arts District has always been in my neighborhood (sort of); it’s just on the other side of Highway 90 on Camp, with the nexus being I guess Camp and Julia Street. The Ogden Museum of Southern Art is across the street from the Community Arts Center, the Arthur Roger Gallery is there, and there are any number of smaller galleries scattered throughout the area, which is why White Linen Night is held there. I had thought about setting the case during White Linen, but…it’s so miserably hot. The last time I went, in the 1990’s, I literally thought I was going to have heat stroke–and I’ve never gone again. Writing about it would mean going again, and there was just no way I was going to do that.

The plot was actually brought to me by way of a friend who knew one of the people involved in the real life case; which I found fascinating. My friend’s friend was one of those effortlessly sexy and beautiful men; the kind everyone’s eyes turn to when he walks into the room, and being one of those, he landed a very wealthy partner more than double his age. (Yes, I know, age-gap relationships are real, but doesn’t everyone assume the younger, pretty one in these types of relationships are in it for the money?) Anyway, the story was they had been robbed, and the burglars had stolen some of their art. They reported it to the police, but the police didn’t believe their story, and thought they were committing insurance fraud!

This was very bizarre to me, but it centered on art and galleries, which is why I wanted to do with this book, and so I thought, I can make this work. I used the same basic premise–age-gap gay relationship; older guy is wealthy, younger has sordid past; art stolen and the cops don’t believe their story so they hire Chanse. I also wanted to get into how Chanse–a former college football player and a long time gym regular–was aging, and the aches and pains. He had a back injury from a car accident, and it was still bothering him in this book. He also was still dating the guy he met in a previous case–Rachel Sheehan’s younger brother–but I wasn’t sure where that was going so edited a lot of it out.

And when I finished writing it, I still thought that was a little too paint-by-the-numbers and not enough of a challenge to write–so maybe it’s time to give him a break, and that’s what I did. I do think the novella I want to write is more of a novel, really; and I like the idea and I also have another. So who knows? Chanse may be coming back at some point.

And I am not dissing the book–I’m proud of it, and think it’s one of the better Chanse books, for that matter.