I Know There’s Something Going On

I love cozy mysteries.

I do, and while they may not make up the majority of my reading pile, it’s always a joy to find a new cozy series I enjoy. One of my favorite mysteries of all time, James Anderson’s The Affair of the Blood-Stained Egg Cosy, is definitely a cozy mystery–a house party murder, with secret passages and international espionage and a jewel thief–and is LONG overdue for a prestige mini-series, preferably by either Acorn or Britbox. (I should reread that book; it’s been a hot minute) I don’t think cozies and their writers are given the respect they deserve, ever–rarely do you see a cozy on a Best of the Year list or making the short-list for awards (besides the Agathas), and I’ve heard crime writers slag off the sub-genre, way more times than I would prefer. Anyone who thinks a cozy is lesser or somehow “easier” to write than any other kind of crime novel is more than welcome to give writing one a try. It’s always amusing to me to see the hypocrisy of crime writers whining that literary writers don’t take them seriously…and then in their next breath go on to mock cozy writers. (I did have a wonderful “gotcha” moment with a straight white male mystery writer once; he was complaining about how crime fiction isn’t considered literature, and later on in the same conversation he made a snide remark about cozy writers…and boy did he stumble for words when I replied, “So when lit writers treat you like a cozy writer you don’t like it?” He won’t talk smack about cozies in MY presence again…)

Anyway, I digress. One of my favorite series of all time is the Meg Langslow series by Donna Andrews, and we are on book thirty-three now, with thirty-four on my chair sidetable, halfway finished reading, and Book 35 available for preorder already.

That is a pretty impressive track record, and career. If I wrote a Scotty per year from now on, it would take me until I am eighty-eight to get to book 35. YIKES.

“This is the life,” I said, as I wriggled into an even more comfortable position in the hammock.

I wasn’t talking to anyone in particular. As far as I knew, there was no one within earshot. But just in case there was, I was going to do my best to look–and sound–like someone who was deeply contented and should not be disturbed for anything short of an actual emergency. Although the people most apt to – me were safely occupied elsewhere–Michael, my husband, was teaching his Friday classes at Caerphilly College, and my twin sons, Jamie and Josh, were at school until three.

My-notebook-that-tells-me-when-to-breathe, as I called my comprehensive to-do list and calendar, was nearby, but I’d already checked, and nothing in its pages had to be done right now. For the next hour I was on hammock time. I could read. I could put on my headphones and listen to some music. Or I could just lie here and enjoy the balmy May weather, the masses of blooms in our flower beds, and the fascinating aerial ballet of hummingbirds darting to and from the nearby feeder.

The hummingbirds. I sat up with a frown. The last time I’d found the time to watch them, there had been half a doxen of them, impossibly small, their iridescent jewel-toned bodies sparking in the sunshine as they paused, sipped, and darted away. Now there was onlyone, flitting around the feeder. And he didn’t seem to be feeding–just darting about.

And that title is a gem.

The entire series has bird-puns for titles, which is amazingly hard to do, and if you don’t think so–try coming up with thirty-three bird pun titles for crime novels without looking at Donna’s backlist. I suggested one to her many years ago that I keep hoping she’ll use–but she hasn’t yet, and I despair my bird pun title will ever make it into her canon.

I do feel that I also should, in the interest of full disclosure, let you know that Donna Andrews is not only one of my favorite writers but one of my favorite people in this business. We first met years ago when we were both on the MWA board (she was on The Good, the Bad, and the Emus back then), and I found her to be intelligent, kind, charming and funny. That was when I started reading her, and what a joy this series has been for me all these years. Donna’s books, to me, are the perfect example of why this sub-genre (amateur sleuth, no blood or sex or violence–at least not much, and little to no swearing) is called “cozy”–because that’s how reading one of her books makes me feel, cozy. Honestly, there’s nothing better than curling in my easy chair with a blanket, a purring kitty in my lap, as I revisit my friends in Caerphilly again.

Because she writes so well it seems like a real place, one that I am happy to escape my life into twice a year.

I could talk about this series all day, I love it and the characters so much. Caerphilly reminds me a lot of Schitt’s Creek and Ted Lasso–ensemble casts in places where everyone is kind and looks out for one another, but also doesn’t interfere and lets you make and learn from your own mistakes. This time out, Donna has added a new McMansion style neighborhood to the town, Westlake, with people retiring from major cities to the “rustic” charms of Caerphilly–only to complain incessantly about those very rustic charms to begin with–and beekeeper Edgar is square in their sites, his hives just across a small stream from their backyards. Meg calls them the NIMBYs (not in my backyard), and I think we’ve all encountered these types (which is why dumps and toxic waste always ends up around poorer communities). Someone has poisoned all of Edgar’s bees–and Meg agrees to look into who could have done something so heinous. But while looking for an old African American cemetery, Meg and her friends not only find the cemetery deep in the woods, but they also find the dead body of one of the worst of the NIMBYs, and the game is afoot.

The sadness at finishing the book was derailed by knowing this year’s Christmas Meg murder mystery was already in my TBR pile, which I immediately started reading when I finished Birder She Wrote. Don’t be daunted by the massive backlist, either–if you’ve not read any of these books, you can start anywhere and then work your way through the series; there are never any spoilers other than those from Meg’s personal life–and frankly, I don’t mind those kinds of spoilers, because its fun to go back and see how she met her husband, when they got married, the twins, etc.

Hey Apple TV–this series is a natural for y’all.