Cry Little Sister

Ah, the final girl.

The final girl has become one of the biggest tropes in horror film–particularly in the mass murderer/slasher type film. The most famous was, of course, Laurie Strode, embodied in so many of the Halloween films so adeptly by Jamie Lee Curtis; although I am more than willing to have people come for me for saying that my favorite of them all is Sydney Prescott from the Scream movies, and I love Neve Campbell in the role. (The latest one, without her, was disappointing because well, she wasn’t there; but how many movies can she be the ‘final girl’ in–even though Gail Weathers also survived many of the movies along with her.) I didn’t used to like slasher movies; I avoided them when they were initially released because I wasn’t into gore and blood (I have since learned that my real issue isn’t either; it’s with actually seeing flesh being cut. Even if someone is just pressing a knife against someone’s skin I have to look away becomes it makes me squeamish. I could never slit my wrists because I would never be able to handle the slicing sensation or watching it or seeing the skin separate. Shudder.), and actually never watched any of them until Paul insisted I watch the first two Halloween movies with him after we moved to New Orleans…and I found that I really enjoyed them both. I of course loved Scream, and I know during one point in the pandemic I went back and watched a lot of these movies…I also just remembered I did watch the Nightmare on Elm Street movies in a stoner fog with friends; but as that series continued it became campier and funnier more than scary.

I’ve always wanted to write one of those books–people in a remote place for whatever reason and then people start dying; let’s face it, slasher movies are just bloodier and scarier adaptations of And Then There Were None by Agatha Christie. I’ve also wondered how the survivors–or their loved ones left behind–dealt with the aftermath of such brutal spree killings. I remember Richard Speck murdering all those student nurses when I was a child, and the fact one escaped him by hiding under her bed and staying silent–how much trauma did she have to overcome to go on with her life after that horrific night? I have often said that I am very interested in how people live on in the aftermath of either being a victim of a serious crime, being related to someone who was either the victim or the perpetrator of a serious crime, or even just living next door to either. (I’ve always wanted to write a story or book titled The Girl Under The Bed.)

So I’ve always wanted to read Riley Sager’s enormously successful Final Girls since it was released; it’s hard to believe it took me six years to finally get around to it–but that should be an indicator of how big and deep my TBR pile actually is.

My hands are covered in frosting when Jeff calls. Despite my best efforts, the French buttercream has oozed onto my knuckles and into the hammocks between my fingers, sticking there like paste. Only one pinkie finger remains unscathed, and I used it to tap the speakerphone button.

“Carpenter and Richards, private investigators,” I say, imitating the breathy voice of a film noir secretary. “How may I direct your call?”

Jeff plays along, his tough-guy tone pitched somewhere between Robert Mitchum and Dana Andrews. “Put Miss Carpenter on the horn. I need to talk to her pronto.”

“Miss Carpenter is busy with an important case. May I take a message?”

“Yeah,” Jeff says. “Tell her my flight from Chi-town has been delayed.”

My facade drops. “Oh, Jeff, really?”

When this book was released in 2017, my first thought, after I want to read that was why didn’t I think of it?

bingeI am primarily a fan of horror, and not a very in-depth fan, to be honest. I’ve always gone through phases in my life, where I would get tired of reading crime stories and would want something different…which usually led me to horror binge-reading–usually a result of reading the new Stephen King. I occasionally write something that could be considered horror, and even more occasionally, when fed up with crime fiction (or the community around it) I would think maybe I should reboot myself as a horror writer. I always go back to crime, inevitably, and generally my horror writing results in short stories.

Anyway, as I have often said before, one of the things I am really interested in, when it comes to crime fiction, is the effects of the crime on the people involved; how does one cope with a murder/rape/assault? How does one cope with knowing someone you loved or even just knew was a killer? I think the Halloween movies and the Scream ones did a great job of exploring the after-effects of such a trauma on the “final girl”–Sydney or Laurie–and so I was kind of interested in how this was handled in Final Girls, which is also kind of a meta idea?

So we meet Quincy Carpenter, the “final girl” of the Pine Cottage slaughter, about ten years later. She’s now living in New York in an apartment paid for by the funds set up for her in the wake of the murders all those years ago; she doesn’t think about it anymore and has tried to move on with her life. Now she has a fairly happy life as a baking blogger and living with public defender Jeff. She’s still tight with the cop who saved her, Coop–who comes into the city to check on her whenever she calls or whenever he is worried about her. Quincy also doesn’t remember anything from that night–the original investigating detectives thought she was hiding something–and she has also avoided contact with two other “final girls”–Lisa Milner and Samantha Boyd. Samantha has completely disappeared off the face of the earth, but Lisa has kind of made a career for herself as a final girl–which is quite odd. The book kicks into gear when Quincy finds out Lisa has committed suicide, which seems out of character for her, and then Samantha Boyd turns up, and we’re off and running.

The book is paced extremely well–it moves really quickly once the pieces are in place and the story takes off. It’s also interesting to see how these three different final girls all dealt with their trauma–all differently, all of them valid–and I had a great time reading it. There are a lot of surprises, none of which were predictable (not an easy task), and I came to care for Quincy and feel sympathy for her.

It was a terrific read, and a perfect way to kick off my Halloween Horror Month reading. Recommended–and I will definitely read more of Sager’s work.