Electric Avenue

Tuesday, and tomorrow I get my new dryer. Heavy heaving sigh. The laundry is piling up.

But I did manage to write another chapter of the new Scotty yesterday, and got to bring up/set up the moral dilemma he’s going to experience through this book, which was kind of fun. It’s also a massive change-up from the opening of the book, which is also way fun to do. If I can manage a chapter a day, this book’s first draft will be finished in about three more weeks. How cool is that? I also managed to get the second half of the WIP line edited. Don’t get excited; I did the second half first, and now am going to do the first half–but am doing the second quarter first, and the first quarter last. Capisce? It makes sense (to me). I am trying not to get distracted by the story and focus more on the language more than anything else. Once I input all these cuts, I will go through it one last time. I also have one more scene to write, for the end. (No, I haven’t gotten the end right yet. It’s another reason I think I keep futzing with it. But it’s going to be much better now than it was.)

Ah, self-confidence. I wonder what that would be like, to have some?

I started reading Steve Berry’s The Lincoln Myth, which appears to be about the Mormons, the Civil War, and Abraham Lincoln; I am only about seventy pages in. I wanted to read Laura Lippman’s Sunburn next, but I only have an electronic copy and I forgot to charge my iPad, and that battery was deader than Lizzie Borden’s parents. I literally went over to the book case which is filled with books I’ve not read yet, closed my eyes, and reached for one. Hardly scientific, but there you have it. Sometimes you just have to let chance take you by the hand. It’s kind of interesting to read a book by Steve Berry with the Civil War as a plot point–given the latest bad publicity Berry is getting, about a memo he wrote when he was a prosecutor in Georgia, before he turned his attention to writing thrillers with a base in history–but as all Berry novels, it’s a quick read with lots of action. Berry also cross cuts between several different points of view, and you can never be absolutely certain who are the bad guys and who are the good. I am curious as to what the secret hidden away for almost two hundred years in the Utah desert is, what it has to do with the Civil War, and how it can affect the present (which is the basic plot structure of every Berry novel; some long hidden secret could have dangerous ramifications in the present unless Our Hero gets to it first before the Bad Guy), but I do enjoy the suspension of belief and getting on board that train. And he does research the books; there is always some semblance of historical truth buried in the books. (The Columbus Affair taught me a lot about Jamaica that I didn’t know, for example, and The King’s Deception likewise taught me some Tudor lore I hadn’t been aware of previously) So, we shall see. His series character (not all of the books belong to the series) Cotton Malone is kind of a James Bond/Jason Bourne/Jack Ryan hybrid, but like I said, I enjoy suspending my belief and going along for the ride. What can I say? It’s fun.

I don’t have to go to work until later today–bar testing–so I am hoping to get some cleaning done, serious work on the book(s), and maybe even take some time to read a bit more.

And so, it’s back to the spice mines with me. Have a lovely Tuesday, all. And here’s a Tuesday hottie for you:



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